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Prince of Darkness (1987) [R]

Release Date:
October 23, 1987

Original Title:
Prince of Darkness

Alternate Titles:
El príncipe de las tinieblas
El señor del mal
John Carpenter's Paradigm
John Carpenter's Prince of Darkness
Príncipe das Sombras
Qaranlıqlar Şahı
パラダイム

Genres:
Horror

Production Companies:
Alive Films
Carolco Pictures
Larry Franco Productions
Universal Pictures

Production Countries:
United States of America

Ratings / Certifications:
DE: 16  FR: 12  HU: 16  IE: 18  KR: 18  NL: 16  PT: M/16  US: R 

Runtime: 102

Before man walked the earth... It slept for centuries. It is evil. It is real. It is awakening.

Overview from TheMovieDB

A group of graduate students and scientists uncover an ancient canister in an abandoned church, but when they open it, they inadvertently unleash a strange liquid and an evil force on all of humanity.

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Additional information:

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Video

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Trailer

Featurette

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Performers

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Production

ADR Mixer:
Doc Kane

ADR Recordist:
Laura Hekking

Assistant Editor:
Frederick Wardell

Assistant Property Master:
Audrey A. Johnson
Richard M. Kerns

Assistant Sound Editor:
Charles Davis
John O. Wilde

Best Boy Electric:
Rob McCarthy

Best Boy Grip:
Ron Peebles

Boom Operator:
Joseph F. Brennan

Camera Operator:
Jud Kehl

Casting:
Linda Francis

Casting Assistant:
Melanie Massey

Construction Coordinator:
Larry Verne

Construction Foreman:
Michael Wright

Costume Supervisor:
Deahdra Scarano

Costumer:
Mark Peterson

Craft Service:
Rick Chavez

Director:
John Carpenter

Director of Photography:
Gary B. Kibbe

Dolly Grip:
Kirk Bales

Editor:
Steve Mirkovich

Electrician:
Kevin Arnold
Charles Smock

Executive Producer:
Shep Gordon
Andre Blay

Extras Casting:
Bess Gilbert

First Assistant Camera:
Joseph E. Thibo
Casey Hotchkiss

First Assistant Director:
Larry Franco

First Assistant Editor:
Timothy Alverson

Foley Artist:
Joan Rowe
Jerry Trent

Foley Mixer:
Greg Curda

Foley Recordist:
Bruce Bell

Gaffer:
Ken Spencer

Grip:
Danny Falkengren

Hairstylist:
Janis Clark

Key Grip:
Charles Saldaña

Leadman:
Rick Caprarelli

Location Manager:
Ken Lavet

Makeup Artist:
Francisco X. Pérez

Negative Cutter:
Dode Weyant

Original Music Composer:
John Carpenter
Alan Howarth

Producer:
Larry Franco

Production Accountant:
Joy Ewing

Production Coordinator:
Marian Shambo

Production Design:
Daniel A. Lomino

Production Sound Mixer:
Thomas Causey

Property Master:
Kent H. Johnson

Screenplay:
John Carpenter

Script Supervisor:
Sandy King

Second Assistant Camera:
Frederick Hamm

Set Decoration:
Rick Gentz

Sound Editor:
Eric Lindemann
Frank Howard
Jeremy J. Gordon

Sound Effects:
John P. Fasal
Dane A. Davis

Sound Re-Recording Mixer:
David J. Hudson
Mel Metcalfe
Terry Porter

Special Effects Coordinator:
Kevin Quibell

Standby Painter:
Anthony Tomeo
Claudia Gilligan Ivanjack

Still Photographer:
John R. Hamilton

Stunt Coordinator:
Jeff Imada

Stunts:
Randy Hall
Wayne King
Mario Roberts
Justin De Rosa
Ellarye
Debbie Evans
Simone Boisseree
Christine Anne Baur
Bob Herron

Supervising Sound Editor:
Val Kuklowsky
Michael Hilkene

Unit Production Manager:
Stratton Leopold

Unit Publicist:
Kimberley Coy

Visual Effects Supervisor:
Robert Grasmere

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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.