A work in constant progress (and occasional regress).
Birthplace:
Hackney, London, England, UK
Born:
January 1, 1972
Asif Kapadia is a British filmmaker. Academy Award, BAFTA and Grammy-winning director Asif Kapadia has made his name directing visually striking films exploring ‘outsiders’, characters living in extreme circumstances, fighting against a corrupt or broken system.
Co-Producer:
2017 Monsoon Shootout
Director:
1994 Indian Tales
1996 The Waiting Room
1997 The Sheep Thief
2001 The Warrior
2003 Cinema16: British Short Films
2006 The Return
2008 Far North
2010 Senna
2012 The Odyssey
2013 Standard Operating Procedure
2015 Amy
2016 Ali and Nino
2016 The Tale of Thomas Burberry
2017 Monsoon Shootout
2019 Diego Maradona
2021 Laika
2023 Creature
2024 2073
2024 Federer: Twelve Final Days
Executive Producer:
1994 Indian Tales
1996 The Waiting Room
1997 The Sheep Thief
2001 The Warrior
2003 Cinema16: British Short Films
2006 The Return
2008 Far North
2010 Senna
2012 The Odyssey
2013 Standard Operating Procedure
2015 Amy
2016 Ali and Nino
2016 Supersonic
2016 The Tale of Thomas Burberry
2017 Monsoon Shootout
2019 Diego Maradona
2021 Laika
2023 Creature
2023 The Man Who Stole the Scream
2024 2073
2024 Federer: Twelve Final Days
Producer:
1994 Indian Tales
1996 The Waiting Room
1997 The Sheep Thief
2001 The Warrior
2003 Cinema16: British Short Films
2003 The Bypass
2006 The Return
2008 Far North
2010 Senna
2012 The Odyssey
2013 Standard Operating Procedure
2015 Amy
2015 Ronaldo
2016 Ali and Nino
2016 Supersonic
2016 The Tale of Thomas Burberry
2017 Monsoon Shootout
2019 Diego Maradona
2021 Laika
2023 Creature
2023 The Man Who Stole the Scream
2024 2073
2024 Federer: Twelve Final Days
Screenplay:
1994 Indian Tales
1996 The Waiting Room
1997 The Sheep Thief
2001 The Warrior
2003 Cinema16: British Short Films
2003 The Bypass
2006 The Return
2008 Far North
2010 Senna
2012 The Odyssey
2013 Standard Operating Procedure
2015 Amy
2015 Ronaldo
2016 Ali and Nino
2016 Supersonic
2016 The Tale of Thomas Burberry
2017 Monsoon Shootout
2019 Diego Maradona
2021 Laika
2023 Creature
2023 The Man Who Stole the Scream
2024 2073
2024 Federer: Twelve Final Days
Writer:
1994 Indian Tales
1996 The Waiting Room
1997 The Sheep Thief
2001 The Warrior
2003 Cinema16: British Short Films
2003 The Bypass
2006 The Return
2008 Far North
2010 Senna
2012 The Odyssey
2013 Standard Operating Procedure
2015 Amy
2015 Ronaldo
2016 Ali and Nino
2016 Supersonic
2016 The Tale of Thomas Burberry
2017 Monsoon Shootout
2019 Diego Maradona
2021 Laika
2023 Creature
2023 The Man Who Stole the Scream
2024 2073
2024 Federer: Twelve Final Days
Creator:
2021 1971: The Year That Music Changed Everything
Director:
2017 MINDHUNTER
2021 1971: The Year That Music Changed Everything
2021 The Me You Can't See
2024 Camden
Executive Producer:
2017 MINDHUNTER
2018 Stephen: The Murder that Changed a Nation
2021 1971: The Year That Music Changed Everything
2021 The Last Hour
2021 The Me You Can't See
2023 Robbie Williams
2024 Camden
Series Director:
2017 MINDHUNTER
2018 Stephen: The Murder that Changed a Nation
2021 1971: The Year That Music Changed Everything
2021 The Last Hour
2021 The Me You Can't See
2023 Robbie Williams
2024 Camden
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.