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Supersonic (2016) [R]

Release Date:
October 2, 2016

Original Title:
Supersonic

Alternate Titles:
Oasis: Supersonic
โอเอซิส : ซูเปอร์โซนิก
슈퍼소닉

Genres:
Documentary | History | Music

Production Companies:
Lorton Entertainment
Mint Pictures
NEMPEROR
On the Corner Films

Production Countries:
United Kingdom

Ratings / Certifications:
DK: 7  GB: 15  IE: 15A  JP: G  NL: 12  US: R 

Runtime: 117

The incredible true story of the band that defined an era.

Overview from TheMovieDB

Supersonic charts the meteoric rise of Oasis from the council estates of Manchester to some of the biggest concerts of all time in just three short years. This palpable, raw and moving film shines a light on one of the most genre and generation-defining British bands that has ever existed and features candid new interviews with Noel and Liam Gallagher, their mother, and members of the band and road crew.

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Production

Director:
Mat Whitecross

Editor:
Paul Monaghan

Executive Producer:
Joseph Berry Jr.
Julian Bird
Asif Kapadia
Noel Gallagher
Liam Gallagher

Original Music Composer:
Rael Jones

Producer:
Fiona Neilson
James Gay-Rees
Simon Halfon

Sound Designer:
Jack Gillies

Visual Effects:
Matt Hutchings
Alana McGarrie
Tom Norman
Andrey Polezhayev
Leandro Sarris

Visual Effects Producer:
Shiraz Peer Liberman

Visual Effects Production Assistant:
Sarah Buisson

Visual Effects Supervisor:
Marc Knapton

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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.