Lando Buzzanca (1935-2022)

Alias:
Gerlando Buzzanca

Birthplace:
Palermo, Sicily, Italy

Born:
August 24, 1935

Died:
December 18, 2022

From Wikipedia, the free encyclopedia  Gerlando Buzzanca (born August 24, 1935 in Palermo) is an Italian comedy actor.  He left high school in Palermo when he was 16 years old, and moved to Rome to pursue his dream of becoming an actor. In order to survive, he took many jobs: waiter, furniture mover, and a brief appearance as a slave in the film Ben-Hur.  In his long career he often interpreted the role of the average Italian immigrant from southern Italy, who slowly began to enjoy moderate success during the years of the Italian economic miracle. His films showcased all the freshness of the 1960s, the 1970s and the heavier transition to the 1980s, focusing on the common life in several Italian cities such as Rome, Verona or Milan, balanced between personal happiness and professional achievement.  Buzzanca often interpreted roles of a subordinate white collar worker, with a heavy vein of machismo, as a frustrated employee who tries to redeem his dull existence with his virility. He became famous for his role in the film Il merlo maschio, (The Male Blackbird), where in a provincial environment of cultural importance, the philharmonic orchestra of the Arena di Verona, he vents out his own frustrations, indulging into candaulism when he induces his bride to expose her naked body in the middle of a bridge in Verona.  Some critics, in a lighter vein, have defined Buzzanca as a "Homo eroticus": a human being halfway between Homo erectus and Homo sapiens, who risked extinction in the 1970s because of the harsh struggle with feminism activists. Today, even though much less so, this male type is still found among Italian males.  Buzzanca's fame is greater in foreign countries than in his native land, and in countries as France, Japan, Greece, Israel, Spain and Switzerland he is a renowned international stereotype of the Italian provincialotto, elegant, naif, always causing mischief, and not obtaining anything from it.  Description above from the Wikipedia article Lando Buzzanca, licensed under CC-BY-SA, full list of contributors on Wikipedia.

Additional information:

The Search Form


About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.