A work in constant progress (and occasional regress).
Release Date:
June 4, 1974
Original Title:
Bello come un arcangelo
Genres:
Comedy
Production Companies:
Produzioni Atlas Consorziate
Production Countries:
Italy
Ratings / Certifications:
N/A
Runtime: 100
Deep South Italian seventies. The performing and penniless sales representative "Tano" Avallone, fell in love with the beautiful Mariangela, sixteen-year-old daughter of the widowed lawyer "Totonno" Fortis Pantaleo. In order to approach the girl, he enters the graces of the professional, posing as his childhood friend and saying he is willing to eliminate the elderly Donna Mercedes, mother of these, so that he can inherit the substances. Guest of the family, Tano finds himself involved in a whirlwind of feminine attentions, including the free-range governess Immaculate, unnecessarily coveted by the lawyer, and the servant Sisina, desired by the parish priest.
Administration:
Ermete Santini
Assistant Camera:
Luigi Bernardini
Assistant Costume Designer:
Rosa Falconi
Assistant Editor:
Carlo Marino
Camera Operator:
Roberto Brega
Costume Design:
Maria Baroni
Director:
Alfredo Giannetti
Director of Photography:
Erico Menczer
Editor:
Renato Cinquini
First Assistant Director:
Gilberto Colucci
Foley Artist:
Luciano Anzellotti
Gaffer:
Rodolfo Filibotto
Hairstylist:
Marcella Carmosino
Key Grip:
Maurizio Micalizzi
Makeup Artist:
Gianfranco Mecacci
Original Music Composer:
Renato Serio
Producer:
Lillo Capoano
Angelo Iacono
Production Design:
Emilio Baldelli
Production Secretary:
Genesio Guidone
Property Master:
Arnaldo Mangolini
Script Supervisor:
Egle Guarino
Seamstress:
Mina Manes
Angela Vinci
Second Assistant Director:
Valerio Giannetti
Sound:
Raffaele De Luca
Sound Mixer:
Alberto Bartolomei
Danilo Moroni
Still Photographer:
Luciano Cavalieri
Unit Manager:
Roberto Mannoni
Romualdo Buzzanca
Writer:
Alfredo Giannetti
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.