A work in constant progress (and occasional regress).
Alias:
Hansjörg Weissbrich
Hans-Jörg Weißbrich
Birthplace:
Siegen, Germany
Born:
February 6, 1967
Hansjörg Weißbrich is a German film editor. He contributed to more than sixty films since 1995 including Colonia, Trade and Night Train to Lisbon. Source: Article "Hansjörg Weißbrich" from Wikipedia in English, licensed under CC-BY-SA 3.0.
Assistant Editor:
1994 The Whipping Boy
Editor:
1994 The Whipping Boy
1995 It's a Jungle Out There
1998 23
1998 Eine ungehorsame Frau
1998 Two Women, Two Men
2000 Crazy
2000 I Want to Be
2001 A Goddamn Job
2002 Bibi Blocksberg
2003 Distant Lights
2003 Soloalbum
2004 Summer Storm
2005 NVA
2006 Requiem
2006 The Wild Chicks
2007 Impossibly Yours
2007 Seven Days Sunday
2007 Trade
2007 Wild Chicks in Love
2008 Krabat
2009 John Rabe
2009 Storm
2010 A boy called Hope
2011 Hotel Lux
2011 If Not Us, Who?
2012 Home for the Weekend
2012 Two Lives
2013 A Pact
2013 Night Train to Lisbon
2015 Colonia
2015 Francofonia
2016 Stefan Zweig: Farewell to Europe
2017 Dinner in Abruzzo: A Journey Home With My Culinary Godfather
2017 The Divine Order
2017 The Poetess
2018 3 Days in Quiberon
2018 55 Steps
2019 7500
2019 Auerhaus
2019 The Aspern Papers
2019 The Audition
2019 The Operative
2020 Enfant Terrible
2020 Exile
2021 I'm Your Man
2021 Rival
2022 Endlich Witwer - Forever Young
2022 More Than Ever
2022 Nicht ganz Koscher
2022 She Said
2022 We Are Next of Kin
2023 Ingeborg Bachmann – Journey into the Desert
2024 September 5
2024 The Glory of Life
2024 We Were Dangerous
???? Disappearance
???? Zikaden
Editorial Consultant:
1994 The Whipping Boy
1995 It's a Jungle Out There
1998 23
1998 Eine ungehorsame Frau
1998 Two Women, Two Men
2000 Crazy
2000 I Want to Be
2001 A Goddamn Job
2002 Bibi Blocksberg
2003 Distant Lights
2003 Soloalbum
2004 Summer Storm
2005 NVA
2006 Requiem
2006 The Wild Chicks
2007 Impossibly Yours
2007 Seven Days Sunday
2007 Trade
2007 Wild Chicks in Love
2008 Krabat
2009 John Rabe
2009 Storm
2010 A boy called Hope
2011 Hotel Lux
2011 If Not Us, Who?
2012 Home for the Weekend
2012 Two Lives
2013 A Pact
2013 Night Train to Lisbon
2015 Colonia
2015 Francofonia
2016 Stefan Zweig: Farewell to Europe
2017 Dinner in Abruzzo: A Journey Home With My Culinary Godfather
2017 The Divine Order
2017 The Poetess
2018 3 Days in Quiberon
2018 55 Steps
2019 7500
2019 Auerhaus
2019 The Aspern Papers
2019 The Audition
2019 The Operative
2020 Enfant Terrible
2020 Exile
2020 My Little Sister
2021 I'm Your Man
2021 Rival
2022 Endlich Witwer - Forever Young
2022 More Than Ever
2022 Nicht ganz Koscher
2022 She Said
2022 We Are Next of Kin
2023 Ingeborg Bachmann – Journey into the Desert
2024 September 5
2024 The Glory of Life
2024 We Were Dangerous
???? Disappearance
???? Zikaden
Editor:
2020 Unorthodox
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.