A work in constant progress (and occasional regress).
Release Date:
July 24, 2019
Original Title:
The Operative
Alternate Titles:
女特工
Genres:
Drama | Thriller
Production Companies:
Black Bear Pictures
Le Pacte
Neue Bioskop Film
Spiro Films
Production Countries:
France | Germany | Israel | United States of America
Ratings / Certifications:
AU: MA15+ CH: 16 DE: 16 FR: U GB: 15 IT: T NZ: 16 PL: 16 PT: M/16 RU: 18+
Runtime: 120
A young Western woman is recruited by the Mossad to go undercover in Tehran where she becomes entangled in a complex triangle with her handler and her subject.
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ADR Editor:
Adrian Lo
ADR Mixer:
Greg Crawford
ADR Recordist:
Elbaz Rei
Art Direction:
Severina Stoyanova
Jutta Freyer
Eyal Biterman
Assistant Art Director:
Barbara Hartwich
Assistant Grip:
Robin Ritter
Assistant Production Manager:
Elisa Kaldewei
Lukas Schneider
Assistant Property Master:
Antonia Baker-Monteys
Nele Schallenberg
Best Boy Grip:
Micky Koch
Boom Operator:
Caspar Sachsse
Camera Operator:
Yoshua Berkowitz
Norwin Hatschbach
Carpenter:
Lorenzo Sartor
Catering:
Hermann Koenen
Cinematography:
Kolja Brandt
Co-Executive Producer:
Jean Labadie
Co-Producer:
Dietmar Güntsche
Meike Savarin
Martin Rohé
Colorist:
Severin Schultze
Costume Design:
Verena Reuter
Hamada Atallah
Dialogue Editor:
Tobias Adam
Andreas Vorwerk
Digital Compositor:
Patrick Tauscher
Daniel Binder
Denis Sánchez
Digital Imaging Technician:
Severin Schultze
Director:
Yuval Adler
Director of Photography:
Kolja Brandt
Editor:
Hansjörg Weißbrich
Electrician:
Bernd Kremer
Anand Puthupparambil
Executive Producer:
Michael Heimler
Ben Stillman
Teddy Schwarzman
Fight Choreographer:
Steffen Jung
First Assistant "A" Camera:
Karl Keil
First Assistant Camera:
Daniel Goldmann
Sabine Rösing
First Assistant Director:
Esther Hassfurther
Foley Artist:
Martin Langenbach
Foley Editor:
Maximilian Pongratz
Foley Mixer:
Christoph Oertel
Gaffer:
Thorsten Kosselek
Graphic Designer:
Dorit Janssen
Key Grip:
Kenneth Cornils
Malte Kneib
Legal Services:
Norbert Klingner
Line Producer:
Sebastian Fröhlich
Kfir Weiss
Location Manager:
Stefan Mutafchiev
Location Scout:
Rüdiger Jordan
Sören von der Heyde
Makeup & Hair:
René Jordan
Makeup Artist:
Diana Badalova
Music:
Frank Ilfman
Music Supervisor:
Milena Fessmann
Novel:
Yiftach R. Atir
Online Editor:
Thomas Gieraths
Post Production Supervisor:
Niko Remus
Marie Krommes
Producer:
Eitan Mansuri
Anne Carey
Michael Weber
Viola Fügen
Cécile Tollu-Polonowski
Production Assistant:
Hei Yang Lau
Production Coordinator:
Caspar Heider
Petia Petrova
Production Driver:
Silvio Heß
Dominik Leurs
Production Manager:
Sebastian Fröhlich
Property Buyer:
Nele Schallenberg
Property Master:
Daniel Kolarov
Jan Feil
Adi Golani
Script Supervisor:
Adi Kutner
Second Assistant Camera:
Jaro Schönefeld
Second Assistant Director:
Mirjam Wille
Daniel Arapoglu
Set Decoration:
Katja Schlömer
Set Designer:
Klaus Bienen
Set Dresser:
Mikael Riou
Set Runner:
Hannah Lueg-Althoff
Jonas Windgassen
Sound Designer:
Frank Schubert
Sound Mixer:
Miroslav Babić
Sound Re-Recording Mixer:
Michael Kaczmarek
Steadicam Operator:
Yoshua Berkowitz
Still Photographer:
Wolfgang Ennenbach
Storyboard Artist:
Marc Ewert
Stunt Coordinator:
Torsten Jerabek
Stunt Double:
Julia Schneider
Tanja Pelster
Bastian Volkmer
Stunts:
Maria Gnecchi
Supervising Sound Editor:
Michael Kaczmarek
Third Assistant Director:
Maya Markova
Title Designer:
Toby Cornish
VFX Supervisor:
Bastian Hopfgarten
Video Assist Operator:
Julian Hopff
Visual Effects Editor:
Paloma Schnitzer
Visual Effects Producer:
Alice Rathert
Visual Effects Supervisor:
Dan Sachar
Wardrobe Coordinator:
Serena Matlas
Annalena Gerstmann
Writer:
Yuval Adler
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.