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Film Production

Assistant Editor:
1987  Radio Days
1987  September

Associate Editor:
1987  Radio Days
1987  September
1988  Another Woman
1989  New York Stories

Editor:
1981  A Memory For The Future
1982  Reverse Angle: New York, March 1982
1982  The State of Things
1985  Tokyo-Ga
1987  Radio Days
1987  September
1988  Another Woman
1989  New York Stories
1995  Killian's Chronicle: The Magic Stone
1996  Holding Ground
2002  American Experience: Ulysses S. Grant (Part 2)
2003  Chicago: City of the Century - Part 3: Battle for Chicago
2005  Victory in the Pacific
2006  Back from the Edge
2007  Parallel Worlds, Parallel Lives
2013  The Ghost Army
2017  The Great War
2018  The Circus
2020  McCarthy
2020  Sacred Cow: The Nutritional, Environmental and Ethical Case for Better Meat
2023  The Busing Battleground
2023  The Harvest: Integrating Mississippi's Schools

Second Assistant Camera:
1976  Squirm
1981  A Memory For The Future
1982  Reverse Angle: New York, March 1982
1982  The State of Things
1985  Tokyo-Ga
1987  Radio Days
1987  September
1988  Another Woman
1989  New York Stories
1995  Killian's Chronicle: The Magic Stone
1996  Holding Ground
2002  American Experience: Ulysses S. Grant (Part 2)
2003  Chicago: City of the Century - Part 3: Battle for Chicago
2005  Victory in the Pacific
2006  Back from the Edge
2007  Parallel Worlds, Parallel Lives
2013  The Ghost Army
2017  The Great War
2018  The Circus
2020  McCarthy
2020  Sacred Cow: The Nutritional, Environmental and Ethical Case for Better Meat
2023  The Busing Battleground
2023  The Harvest: Integrating Mississippi's Schools

Click the heading above to show or hide the list.

TV Production

Editor:
1983  Frontline
1988  American Experience
1993  The Great Depression
1995  America's War on Poverty
2003  Chicago: City of the Century

Click the heading above to show or hide the list.

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.