A work in constant progress (and occasional regress).
Release Date:
September 12, 2023
Original Title:
The Harvest: Integrating Mississippi's Schools
Genres:
Documentary | History
Production Companies:
American Experience Films
Five Dollar Films
GBH
Production Countries:
United States of America
Ratings / Certifications:
N/A
Runtime: 113
In The Harvest, Pulitzer Prize-winning author Douglas A. Blackmon looks back at how school integration transformed his hometown of Leland, Mississippi. After the 1954 Supreme Court ruled that racial segregation in public schools was unconstitutional, little more than token efforts were made to desegregate Southern schools. That changed dramatically on October 29, 1969, when the high court ordered that Mississippi schools to fully — and immediately — desegregate. As a result, a group of children, including six-year-old Blackmon, became part of the first class of Black and white children who would attend all 12 grades together in Leland.
Click each video panel to show or hide.
Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.
Assistant Editor:
Robert Gordon
Associate Producer:
Alexa A. Harris
Andrea Edwards
Danielle Fisher
Nicholas Gibiser
Cinematography:
Ryan Earl Parker
Director:
Sam Pollard
Douglas A. Blackmon
Editor:
Anne Craddock Decorte
Mary Manhardt
Jon Neuburger
Executive Producer:
Cameo George
Jeff Bieber
Susan Bellows
Music:
J.R. Shirakbari
Producer:
Douglas A. Blackmon
Sam Pollard
Supervising Producer:
Salme López Sabina
Writer:
Douglas A. Blackmon
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.