A work in constant progress (and occasional regress).
Birthplace:
Bogotá, Colombia
Born:
December 1, 1933
Marta Rodríguez is a pioneer of documentary film in Latin America and member of the New Latin American Cinema movement that emerged in 1968. She has positioned herself as the best and most important documentary maker in Colombia and Latin America during her artistic career of 50 years, with a filmography that boasts 18 award-winning documentaries at major film festivals.
Director:
1971 Plains: Testimony of an Ethnocide
1972 The Brickmakers
1975 Campesinos
1982 Our Voice of Earth, Memory and Future
1988 Love, Women & Flowers
1993 Memoria viva
1998 Amapola: la flor maldita
1998 Los hijos del trueno
2001 La Hoja sagrada
2001 Nunca más
2004 Una casa sola se vence
2006 Soraya, amor no es olvido
2010 Testigos de un etnocidio: memorias de Resistencia
2012 No hay dolor ajeno
2020 Los Andes Symphony Orchestra
2022 Camilo Torres Restrepo, el amor eficaz
Editor:
1971 Plains: Testimony of an Ethnocide
1972 The Brickmakers
1975 Campesinos
1982 Our Voice of Earth, Memory and Future
1988 Love, Women & Flowers
1993 Memoria viva
1998 Amapola: la flor maldita
1998 Los hijos del trueno
2001 La Hoja sagrada
2001 Nunca más
2004 Una casa sola se vence
2006 Soraya, amor no es olvido
2010 Testigos de un etnocidio: memorias de Resistencia
2012 No hay dolor ajeno
2020 Los Andes Symphony Orchestra
2022 Camilo Torres Restrepo, el amor eficaz
Producer:
1971 Plains: Testimony of an Ethnocide
1972 The Brickmakers
1975 Campesinos
1982 Our Voice of Earth, Memory and Future
1988 Love, Women & Flowers
1993 Memoria viva
1998 Amapola: la flor maldita
1998 Los hijos del trueno
2001 La Hoja sagrada
2001 Nunca más
2004 Una casa sola se vence
2006 Soraya, amor no es olvido
2010 Testigos de un etnocidio: memorias de Resistencia
2012 No hay dolor ajeno
2013 Bloody April Fools
2020 Los Andes Symphony Orchestra
2022 Camilo Torres Restrepo, el amor eficaz
Production Manager:
1971 Plains: Testimony of an Ethnocide
1972 The Brickmakers
1975 Campesinos
1982 Our Voice of Earth, Memory and Future
1988 Love, Women & Flowers
1993 Memoria viva
1998 Amapola: la flor maldita
1998 Los hijos del trueno
2001 La Hoja sagrada
2001 Nunca más
2004 Una casa sola se vence
2006 Soraya, amor no es olvido
2010 Testigos de un etnocidio: memorias de Resistencia
2012 No hay dolor ajeno
2013 Bloody April Fools
2016 Breadcrumbs
2020 Los Andes Symphony Orchestra
2022 Camilo Torres Restrepo, el amor eficaz
Screenplay:
1971 Plains: Testimony of an Ethnocide
1972 The Brickmakers
1975 Campesinos
1982 Our Voice of Earth, Memory and Future
1988 Love, Women & Flowers
1993 Memoria viva
1998 Amapola: la flor maldita
1998 Los hijos del trueno
2001 La Hoja sagrada
2001 Nunca más
2004 Una casa sola se vence
2006 Soraya, amor no es olvido
2010 Testigos de un etnocidio: memorias de Resistencia
2012 No hay dolor ajeno
2012 The Smoke Seller
2013 Bloody April Fools
2016 Breadcrumbs
2020 Los Andes Symphony Orchestra
2022 Camilo Torres Restrepo, el amor eficaz
Writer:
1971 Plains: Testimony of an Ethnocide
1972 The Brickmakers
1975 Campesinos
1982 Our Voice of Earth, Memory and Future
1988 Love, Women & Flowers
1993 Memoria viva
1998 Amapola: la flor maldita
1998 Los hijos del trueno
2001 La Hoja sagrada
2001 Nunca más
2004 Una casa sola se vence
2006 Soraya, amor no es olvido
2010 Testigos de un etnocidio: memorias de Resistencia
2012 No hay dolor ajeno
2012 The Smoke Seller
2013 Bloody April Fools
2016 Breadcrumbs
2020 Los Andes Symphony Orchestra
2022 Camilo Torres Restrepo, el amor eficaz
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.