A work in constant progress (and occasional regress).
Birthplace:
Watertown, South Dakota, USA
Born:
March 2, 1979
Matt Barse (Wichita and Affiliated Tribes) is an alumnus of the University of Oklahoma with a major in Integrative Studies and minor in Film Media Studies. He also received a Certificate of Mastery in Digital Cinema Production from Oklahoma City Community College. His work encompasses both narrative fiction and documentary with recent projects centering on horror and sci-fi. Over the last ten years, he has written, directed, and edited eight shorts and one feature. Fiction short films include Lovely Day (2012), a drama about an estranged couple, Epilogue (2020), a horror/thriller featuring a young woman haunted by her troubled past, and Distance (2023), a pandemic drama with an emphasis on the undead. Non-fiction work is based on Indigenous stories with I Said I Would Never Paint This Way Again (2013), focusing on established artists from various tribes and backgrounds, and Shan Goshorn: Reclaiming Our Power (and More) (2019). He has also been cast on the sets of major motion pictures and television series as background, stand-in, and non-speaking roles, notably Reservation Dogs (2022) for FX on Hulu, Tulsa King (2022) for Paramount+, indie feature Fancy Dance (2023), and Killers of the Flower Moon (2023) for Apple+. Projects in development include Indigenous sci-fi drama Nebula Unfolding with Sunrise Tippeconnie, the A.I. sci-fi drama Saavie with Elizabeth Drew, zombie horror/romantic comedy Dawn of the Bed, and The Boy from Enemy Swim, the story of a young Dakota man growing up on the Lake Traverse Reservation in the early twentieth century.
Director:
2008 Liquor, Beer & Wine
2009 Broken Love
2012 Lovely Day
2013 I Said I Would Never Paint This Way Again
2020 Epilogue
2023 Distance.
Director of Photography:
2008 Liquor, Beer & Wine
2009 Broken Love
2012 Lovely Day
2013 I Said I Would Never Paint This Way Again
2020 Epilogue
2023 Distance.
Screenplay:
2008 Liquor, Beer & Wine
2009 Broken Love
2012 Lovely Day
2013 I Said I Would Never Paint This Way Again
2020 Epilogue
2023 Distance.
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.