A work in constant progress (and occasional regress).
Featuring:
Nora Graham, Sean Alan Stone, Martin Saenz
Written by:
Elizabeth Drew
Directed by:
Elizabeth Drew
Original Title:
Horsewater
Genres:
Music
Production Companies:
Horsewater Media
Ratings / Certifications:
N/A
Runtime: 5
A hectic woman striving to buy used tires before the shop closes pushes to get her last $20 to a relative stranger.
Click each video panel to show or hide.
Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.
Associate Producer:
Matt Barse
Micah Hart
Justin Jayne
Jared Phelps
Best Boy Lighting Technician:
Tristan Chisolm
Camera Operator:
April Chompunuchtanin
Casting Director:
Chris Freihofer
Colorist:
Bryce Riedesel
Costume Designer:
Valerie L. Parker
Digital Imaging Technician:
Bryce Riedesel
Director:
Elizabeth Drew
Director of Photography:
Charles E. Elmore
Editor:
Charles E. Elmore
Executive Producer:
Dylan Brodie
Ben Richardson
Sunrise Tippeconnie
First Assistant Camera:
Jacob Liao
First Assistant Director:
Justin Jayne
Gaffer:
DJ Zachary
Graphic Designer:
Rockee Harjo
Key Grip:
Micah Hart
Location Manager:
Matt Barse
Makeup & Hair:
Tiara Blair
Music:
Luke Rowell
Post Production Producer:
Dylan Brodie
Producer:
Jordan Wilson
Production Assistant:
Harry Angelo
James Barrett
Production Design:
Kaitlyn Shelby
Property Master:
Madeline Markcum
Script Supervisor:
LaRissa Fisher
Second Assistant Camera:
Caroline Harris
Second Assistant Director:
Kamryn Lee
Set Costumer:
Will R. Dougherty
Set Medic:
Bonnie Kerr
Sound Designer:
James Russell
Sound Mixer:
Brad Jennings
Grant Provence
Special Guest Director:
Elyssa Armenta
Still Photographer:
Jared Phelps
Visual Effects Art Director:
Zaybeth Chase
Writer:
Elizabeth Drew
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.