A work in constant progress (and occasional regress).
Birthplace:
San Juan, Puerto Rico
Camille Morales-Zayas is a writer, director and producer from San Juan, Puerto Rico currently based in Austin, Texas. She graduated from the University of Puerto Rico at Mayaguez where she obtained a Bachelors Degree in English Literature with a minor in Film Studies. She also attended The University of Carlos III in Madrid where she studied Film Production and explored her love for International Cinema. Morales' work has been recognized and screened Internationally in festivals such as Docs Without Borders Film Festival, Cine Sol Film Festival, Berlin Indie Film Festival, Fayetteville Film Fest, Panorama International Indie Film Festival, FlickFair Film Festival, Deep in the Heart Film Festival and New York Indie Shorts Awards. She recently graduated with an MFA in Film and Media Production from The University of Texas at Austin as part of the Radio, Television and Film program.
Co-Producer:
2023 Black Magic
Director:
2021 Laura
2021 Voices of the Valley
2023 As the Walls Closed In
2023 Black Magic
2024 Nos vemos después
Editor:
2021 Laura
2021 Voices of the Valley
2023 As the Walls Closed In
2023 Black Magic
2024 Nos vemos después
Producer:
2021 Alexander Horned Sphere
2021 Laura
2021 Voices of the Valley
2022 Supermarket Affairs
2023 As the Walls Closed In
2023 Black Magic
2024 Julie Baby
2024 Nos vemos después
Set Dresser:
2021 Alexander Horned Sphere
2021 Laura
2021 Voices of the Valley
2022 Men in Blue
2022 Supermarket Affairs
2023 As the Walls Closed In
2023 Black Magic
2024 Julie Baby
2024 Nos vemos después
Writer:
2021 Alexander Horned Sphere
2021 Laura
2021 Voices of the Valley
2022 Men in Blue
2022 Supermarket Affairs
2023 As the Walls Closed In
2023 Black Magic
2024 Julie Baby
2024 Nos vemos después
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.