A work in constant progress (and occasional regress).
Release Date:
October 27, 2023
Original Title:
Black Magic
Genres:
Comedy
Production Companies:
The Bear Production Company
Production Countries:
United States of America
Ratings / Certifications:
N/A
Runtime: 14
Black Magic is a traumedy that follows Alicia, a Black screenwriter, as she navigates her new staff writer position on a network drama. When she realizes that she’s nothing more than a fellowship diversity hire, Alicia tries to prove her worth to a room that must write in a "diverse" character to save their show. The character quickly devolves into little more than a trope, forcing Alicia to either compromise her hard-earned dream job or play nice with her colleagues and compromise herself. When she chooses the latter, she unwittingly embodies the character they’ve created.
Associate Producer:
Jannelle Lee Austin
Derria Dixon
Barry Dixon
Randy Bryant
Solange Benjamin-Bryant
Erik Wong
BTS Footage:
Ziming Xie
Pamela De Marion
Boom Operator:
Michael Braden
Co-Producer:
Sinead McHugh Keirans
Camille Morales-Zayas
Colorist:
Aisha Sultanbekova
Costumer:
Melina Yudelka-Perez
Creative Producer:
Alex Rosales
Director:
Cristin Stephens
Director of Photography:
Carlos Estrada
Editor:
Maximillian Schirlo
Executive Producer:
Dreu Dixon
First Assistant Camera:
Brian Molloy
Jacob Voss
Jacob Barajas
First Assistant Director:
Kathryn Van Buren
Gaffer:
Ian McGar
Alex Rosales
Key Grip:
Jack Starks
Jono Dryden-Jaffe
Aidan Wilhite
Key Production Assistant:
Aydin Haleftiras
Makeup & Hair:
Vickey Lee
Original Music Composer:
William Jae
Producer:
Dana Reilly
Production Assistant:
Austin Tackman
Production Design:
Em K Shapiro
Second Assistant Camera:
Braden Gary
Marie Rangel Amrhein
Dylan Byrne
Second Assistant Director:
Mary-Elizabeth Esquibel
An Chen
Sound Editor:
Richard Hamilton
Sound Mixer:
Hannah Martinez
Arturo Jiménez
Taylor Mansmann
Writer:
Cristin Stephens
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.