A work in constant progress (and occasional regress).
Alias:
Sylvia Dolores Finkelstein
Sylvia Dolores Vernon
Birthplace:
Chicago, Illinois, USA
Born:
June 7, 1924
Died:
June 26, 2002
Dolores Gray (June 7, 1924 – June 26, 2002) was an American stage and film actress. During her successful music career, she sang Marilyn Monroe's part on the Decca records soundtrack album of There's No Business Like Show Business (1954). Born as Dolores Stein to Barbara Gray and Henry Stein in Chicago, Dolores Gray was briefly signed with MGM, appearing in Kismet (1955) and It's Always Fair Weather(1955). Among her many stage roles, she appeared in Two on the Aisle (1951), Carnival In Flanders (1953); Destry Rides Again (1959); Sherry! (1967); and 42nd Street (1986). She also performed the lead role in Annie Get Your Gun in London (1947). Gray earned the Tony Award for her role in Carnival in Flanders even though this Broadway musical, with a script by Preston Sturges, ran for only six performances. She therefore holds a record that is unlikely to be broken: briefest run in a performance which still earned a Tony. She was best-known for her theatre roles. She recalled once "What a gift that would be to have more of a permanent record. A stage performance is just that, then it's lost. When I see movies on TV, I think, 'How great to have that.' But why look back? The decisions I made, I made. I can't change that." On September 24, 1966, Dolores Gray married Andrew J. Crevolin, a California businessman and Thoroughbred racehorse owner who won the 1954 Kentucky Derby. Despite erroneous reports in the media that they divorced, they remained married until his passing in 1992. Description above from the Wikipedia article Dolores Gray, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.