A work in constant progress (and occasional regress).
Release Date:
October 8, 1955
Original Title:
Kismet
Genres:
Adventure | Fantasy | Music | Romance
Production Companies:
Metro-Goldwyn-Mayer
Production Countries:
United States of America
Ratings / Certifications:
N/A
Runtime: 113
A silver-tongued poet and self-proclaimed "King of the Beggars" searches old Baghdad for a rich bachelor to marry his dreamy daughter, Marsinah. Along the way, he poses as the renowned sorcerer Hajj and gets in and out of scrapes with an elderly thief, a dim-witted wazir, and his wife. Meanwhile, his daughter develops feelings for a handsome caliph.
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Art Direction:
E. Preston Ames
Cedric Gibbons
Assistant Camera:
Walter Bluemel
Fred J. Koenekamp
Assistant Director:
William Shanks
Hank Moonjean
Camera Operator:
Herbert Fischer
Casting:
Bobby Webb
Choreographer:
Jack Cole
Conductor:
André Previn
Jeff Alexander
Costume Design:
Tony Duquette
Director:
Vincente Minnelli
Director of Photography:
Joseph Ruttenberg
Editor:
Adrienne Fazan
Gaffer:
Wes Shanks
Grip:
Henry Forrester
Hairdresser:
Clair Holgate
Hairstylist:
Sydney Guilaroff
Lyricist:
George Forrest
Robert Wright
Makeup Artist:
Mary Bashe
Lee Stanfield
Makeup Designer:
William Tuttle
Music Arranger:
Conrad Salinger
Arthur Morton
Alexander Courage
Music Supervisor:
André Previn
Jeff Alexander
Original Music Composer:
Robert Wright
George Forrest
Producer:
Arthur Freed
Production Manager:
Walter Strohm
Recording Supervision:
Wesley C. Miller
Screenplay:
Luther Davis
Charles Lederer
Script Supervisor:
Mollie Kent
Set Decoration:
F. Keogh Gleason
Edwin B. Willis
Sound Editor:
Ed Haight
Harold Humbrock
Van Allen James
Sound Mixer:
Norbert Fenton
Sound Recordist:
Wesley C. Miller
Special Effects:
Warren Newcombe
Stunts:
George Bruggeman
Unit Manager:
Hugh Boswell
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.