A work in constant progress (and occasional regress).
Assistant Sound Designer:
1974 People in Buenos Aires
Boom Operator:
1974 People in Buenos Aires
1982 Nobody's Wife
1986 Miss Mary
Foley:
1974 People in Buenos Aires
1982 Nobody's Wife
1986 Miss Mary
2002 Intimate Stories
2004 Infierno Grande
2004 Moon of Avellaneda
Sound:
1974 People in Buenos Aires
1982 Nobody's Wife
1986 Doli Goes Home
1986 Miss Mary
1995 Wild Horses
2002 Intimate Stories
2002 Sammy and Me
2004 Infierno Grande
2004 Moon of Avellaneda
Sound Assistant:
1974 People in Buenos Aires
1982 Nobody's Wife
1985 Waiting for the Hearse
1986 Doli Goes Home
1986 Miss Mary
1995 Wild Horses
1996 The Day Maradona Met Gardel
2002 Intimate Stories
2002 Sammy and Me
2004 Infierno Grande
2004 Moon of Avellaneda
Sound Effects:
1974 People in Buenos Aires
1982 Nobody's Wife
1985 Waiting for the Hearse
1986 Doli Goes Home
1986 Miss Mary
1995 Wild Horses
1996 The Day Maradona Met Gardel
1997 Cops
2002 Intimate Stories
2002 Sammy and Me
2004 Infierno Grande
2004 Moon of Avellaneda
Sound Mixer:
1974 People in Buenos Aires
1982 Nobody's Wife
1985 Waiting for the Hearse
1986 Doli Goes Home
1986 Miss Mary
1995 Wild Horses
1996 Historias Breves II: ¡Ratas!
1996 The Day Maradona Met Gardel
1997 Cops
2002 Intimate Stories
2002 Sammy and Me
2004 Infierno Grande
2004 Moon of Avellaneda
Sound Recordist:
1974 People in Buenos Aires
1982 Nobody's Wife
1985 Waiting for the Hearse
1986 Doli Goes Home
1986 Miss Mary
1995 Wild Horses
1996 Historias Breves II: ¡Ratas!
1996 The Day Maradona Met Gardel
1997 Cops
1998 Cohen vs. Rosi
2002 Intimate Stories
2002 Sammy and Me
2004 Infierno Grande
2004 Moon of Avellaneda
2009 The Widows of Thursdays
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.