A work in constant progress (and occasional regress).
Release Date:
October 24, 2002
Original Title:
Historias mínimas
Alternate Titles:
Historias Minimas
Intimate Stories
Minimal Stories
Genres:
Comedy | Drama
Production Companies:
Guacamole Films
Nirvana Films
Wanda Visión
Production Countries:
Argentina | Spain
Ratings / Certifications:
N/A
Runtime: 92
Three people and a baby set off on separate journeys, along the same road; their disparate dreams and stories intertwine amidst the breathtaking deserted Patagonic route.
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Art Direction:
Margarita Jusid
Assistant Art Director:
Florencia Aisenberg
Assistant Camera:
Leonardo Quesada Castro
Assistant Director:
Federico Badía
Verónica Souto
Assistant Editor:
Leticia Cristi
Gonzalo Alliegro
Associate Producer:
José María Morales
Camera Operator:
Rafael Sahade
Casting:
Mario Mahler
Argentina Northern
Horacio Devitt
Color Timer:
Beto Acevedo
Costume Design:
Ruth Fischerman
Director:
Carlos Sorin
Director of Photography:
Hugo Colace
Dolby Consultant:
Ricardo Viñas
Editor:
Mohamed Rajid
Executive Producer:
Martin Bardi
Focus Puller:
Leonardo Quesada Castro
Foley:
Perfecto de San José
Grip:
Enrique Calissano
Lighting Technician:
Eduardo Broman
Hugo Senlle
Music:
Nicolás Sorin
Negative Cutter:
Marta Selvi
Production Assistant:
Marcos Barboza
Lucas Tino
Production Manager:
Martin Bardi
Props:
Enrique Calissano
Second Assistant Director:
Maria Celina Eslava
Set Decoration:
Adriana Maestri
Sound:
Carlos Abbate
José Luis Díaz
Sound Editor:
Marcelo Lago
Rubén Piputto Santos
Sound Mix Technician:
Alfonso Pino
Sound Post Supervisor:
Carlos Abbate
José Luis Díaz
Sound Recordist:
Rubén Piputto Santos
Special Effects:
Rubén Santeiro
Rubén Buelta
Steadicam Operator:
Rafael Sahade
Supervising Producer:
Leticia Cristi
Writer:
Pablo Solarz
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Additional data for Film Titles come from The Open Movie Database (OMDb).
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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