A work in constant progress (and occasional regress).
Alias:
Michelle La Cour
Michelle LaCour
Michelle LaCour is an ECMA-nominated and MusicNL award-winning audio engineer in St. John’s, Newfoundland & Labrador. After earning a Bachelor of Music in piano and historical musicology from Memorial University of Newfoundland, she went on to complete a Masters of Music in sound recording at McGill University, where she worked as an audio engineer and as a camera operator and director for the Schulich School of Music webcast series. Michelle has worked as a recording, mixing, and mastering engineer for classical and jazz ensembles, folk and pop acts, rock bands, and electronic artists. She has worked as a videographer, producer, and livestream engineer; as a live sound engineer at venues across Eastern Canada; and has held Technical Director roles for various festivals and conferences including the Sound Symposium, Lawnya Vawnya, the Tuckamore Festival, and the 21st Century Guitar. She has worked on a number of films and theatrical productions as a sound designer and composer, and her work as a location sound recordist has taken her all over our beautiful province. Michelle is also an educator, mentoring emerging audio engineers and giving workshops on topics such as location sound recording; music recording, mixing, and mastering; and videography.
Additional Music Supervisor:
2021 Nalujuk Night
Additional Sound Re-Recordist:
2021 Hell or Clean Water
2021 Nalujuk Night
Assistant Sound Editor:
2017 Waste It
2021 Hell or Clean Water
2021 Nalujuk Night
Executive Producer:
2017 Waste It
2021 Hell or Clean Water
2021 Nalujuk Night
2023 After
Foley Artist:
2017 Waste It
2018 C Sharp and D Suspended
2021 Hell or Clean Water
2021 Nalujuk Night
2023 After
Music:
2017 Waste It
2018 C Sharp and D Suspended
2019 The Cut of It
2021 Hell or Clean Water
2021 Nalujuk Night
2023 After
Sound:
2017 Waste It
2018 C Sharp and D Suspended
2019 The Cut of It
2021 Hell or Clean Water
2021 Nalujuk Night
2022 September 7, 2012
2023 After
Sound Designer:
2017 Waste It
2018 C Sharp and D Suspended
2018 Lamenting Pluto
2019 The Cut of It
2021 Hell or Clean Water
2021 Nalujuk Night
2022 September 7, 2012
2023 After
2024 Cherub
Sound Editor:
2017 Waste It
2018 C Sharp and D Suspended
2018 Lamenting Pluto
2018 Tutorial
2019 The Cut of It
2021 Hell or Clean Water
2021 Nalujuk Night
2022 September 7, 2012
2023 After
2024 Cherub
Sound Mixer:
2017 Waste It
2018 C Sharp and D Suspended
2018 Lamenting Pluto
2018 Tutorial
2019 The Cut of It
2021 Hell or Clean Water
2021 Nalujuk Night
2022 September 7, 2012
2023 After
2024 Cherub
Sound Recordist:
2017 Waste It
2018 C Sharp and D Suspended
2018 Lamenting Pluto
2018 Tutorial
2019 The Cut of It
2021 Evan's Drum
2021 Hell or Clean Water
2021 Nalujuk Night
2022 Grown in Darkness
2022 September 7, 2012
2022 Spirit Song Festival
2023 After
2023 Hebron Relocation
2024 A Quiet Girl
2024 Cherub
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.