A work in constant progress (and occasional regress).
Release Date:
September 12, 2022
Original Title:
Grown in Darkness
Genres:
Drama
Production Companies:
Grown in Darkness Films
Production Countries:
Canada
Ratings / Certifications:
N/A
Runtime: 17
Henry lives alone growing rhubarb in the dark when his friend Emmanuel arrives to collect the harvest. Together, they tentatively explore the boundaries of their relationship community spaces in a tender and touching film about loneliness and longing.
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Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.
Assistant Editor:
Aaron Elliott
Best Boy Grip:
James Harris
Boom Operator:
Josh White
Camera Trainee:
Ryan Flanagan
Casting Director:
Jamie Pitt
Colorist:
Steve Cook
Craft Service:
Ryan Dunphy
Director:
Devin Shears
Director of Photography:
Duncan De Young
Editor:
Justin Simms
Electrician:
Nathan David Bugler
First Assistant Camera:
Jay Hamel
First Assistant Director:
Jacqueline Hynes
Alexa Jerrett
Foley Artist:
Hilary Thomson
Foley Recordist:
Matthew Thomson
Gaffer:
Andrew Best
Graphic Designer:
Joseph Riddock
Key Grip:
Phil St. Aubin
Loader:
Jay Hamel
Location Manager:
Andrew Strickland
Makeup & Hair:
Tara Murphy
Music:
Anastasia Westcott
Producer:
Anna Wheeler
Production Design:
Hilary Thomson
Production Manager:
Ashley Knight
Props:
Tyler Burry
Script Editor:
Maureen Dorey
Script Supervisor:
Amanda Foote
Second Assistant Camera:
Aaron Elliott
Set Decoration:
Joann Greenly
Sound Editor:
Paul Steffler
Sound Re-Recording Mixer:
Harvey Hyslop
Sound Recordist:
Michelle Lacour
Special Effects:
Tara Murphy
Still Photographer:
Jessie Brinkman Evans
Ethan White
Third Assistant Director:
Alexa Jerrett
Wardrobe Designer:
Aryn Ballett
Writer:
Devin Shears
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.