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Al Waxman (1935-2001)

Alias:
Albert S. Waxman
Albert Samuel Waxman
Albert Waxman
Stan Ferris

Birthplace:
Toronto, Ontario, Canada

Born:
March 2, 1935

Died:
January 18, 2001

Biography from TheMovieDB

Al Waxman was a prolific actor and director, leaving a mark on over 1000 productions in radio, television, film, and theatre. His role in "King of Kensington" stood out as a highlight among his successful Canadian TV series. Additionally, he starred in acclaimed series like "Cagney & Lacey," "Missing Treasures," and "Twice in a Lifetime." His theatrical ventures spanned from off-Broadway in New York to the West End in London, earning praise at the Stratford Festival for his performance as Willy Loman in "Death of a Salesman" and his direction of "The Diary of Anne Frank."  Waxman's accolades included ACTRA and Gemini awards for acting, and recognition from organizations like the American Women in Film for his directorial prowess. His commitment to various charitable causes, including the Canadian Cancer Society and the Heart & Stroke Foundation, showcased his dedication to social impact. His contributions were honoured with distinctions such as the Order of Ontario in 1996 and the Order of Canada in 1997.

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Additional information:

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Film Performances

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Film Production

Director:
1971  The Crowd Inside
1975  My Pleasure Is My Business
1981  Tulips
1991  White Light
1992  The Diamond Fleece
1993  Heritage Minutes: Marshall McLuhan
1995  Death Junction

Producer:
1971  The Crowd Inside
1975  My Pleasure Is My Business
1981  Tulips
1991  White Light
1992  The Diamond Fleece
1993  Heritage Minutes: Marshall McLuhan
1995  Death Junction

Writer:
1971  The Crowd Inside
1975  My Pleasure Is My Business
1981  Tulips
1991  White Light
1992  The Diamond Fleece
1993  Heritage Minutes: Marshall McLuhan
1995  Death Junction

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TV Performances

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TV Production

Director:
1979  The Littlest Hobo
1982  Cagney & Lacey
1985  The New Alfred Hitchcock Presents
1988  HeartBeat
1988  My Secret Identity
1989  Hard Time on Planet Earth

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About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.