A work in constant progress (and occasional regress).
Release Date:
August 25, 1989
Original Title:
Millennium
Alternate Titles:
Entführung in die Zukunft
Μιλλένιουμ
Genres:
Science Fiction
Production Companies:
20th Century Fox
Gladden Entertainment
Production Countries:
Canada | United States of America
Ratings / Certifications:
GB: PG US: PG-13
Runtime: 105
An investigator seeking the cause of an airline disaster discovers the involvement of an organisation of time travellers from a future Earth irreparably polluted who seek to rejuvenate the human race from those about to die in the past. Based on a novel by John Varley.
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ADR Editor:
Robin Leigh
Dale Sheldrake
Art Direction:
Charles Dunlop
Assistant Art Director:
Alfred
Assistant Foley Artist:
Donna Powell
Kelly Hall
Assistant Makeup Artist:
Ursula Masten Voss
Linda Crawford
Paula Saunders
Ken Freeman
Leslie Sebert
Dana Joon
Assistant Set Decoration:
Gustave Meunier
Assistant Sound Editor:
Patricia Gardner
Joe Lafontaine
Boom Operator:
Reynald Trudel
Camera Operator:
Robert Saad
Henri Fiks
Casting:
Deirdre Bowen
Choreographer:
Glen Kotyk
Co-Producer:
Robert Vince
Continuity:
Harold Michelson
Costume Designer:
Olga Dimitrovová
Dialogue Editor:
Penny Hozy
Director:
Michael Anderson
Director of Photography:
Rene Ohashi
Editor:
Ron Wisman
Executive Producer:
Freddie Fields
John Foreman
P. Gael Mourant
Louis M. Silverstein
Extras Casting:
Peter Lavender
Extras Casting Assistant:
Diane Bell
First Assistant Art Direction:
Perri Gorrara
First Assistant Camera:
Kerry Smart
First Assistant Director:
Michael Zenon
First Assistant Editor:
Stephen Humble
First Assistant Hairstylist:
Sherry Baker
Foley Artist:
Terry Burke
Key Hair Stylist:
Albert Paradis
Makeup Artist:
Barbie Palmer
Original Music Composer:
Eric Robertson
Post Production Coordinator:
Irka M. Iwachiw
Producer:
Douglas Leiterman
Bruce McNall
Production Design:
Gene Rudolf
Production Manager:
Dan Nyberg
Production Sound Mixer:
Douglas Ganton
Prosthetic Makeup Artist:
Robert Laden
Prosthetics:
Malcolm Tanner
Screenplay:
John Varley
Script Supervisor:
Sarah Grahame
Seamstress:
Nadia Jarvis
Second Assistant Art Director:
Wendy Morrow
Second Assistant Camera:
Stewart Aziz
Second Assistant Director:
Bill Bannerman
Second Unit Director of Photography:
John Harris
Set Decoration:
Jacques M. Bradette
Set Designer:
Jeff Ginn
Set Dresser:
Dan Conley
Caroline George-Kohne
Short Story:
John Varley
Sound Effects Editor:
Alan Hardiman
Sound Re-Recording Mixer:
Marvin Berns
Paul Coombe
Don White
Special Effects:
Nick Fischer
Special Effects Assistant:
Bob Hall
Dan Purdy
Kaz Kobielski
Steadicam Operator:
Julian Chojnacki
Robert Crone
Jon Cassar
Still Photographer:
David Whittaker
Stunt Coordinator:
Shane Cardwell
Stunts:
Alison Reid
Shelley Cook
Robert Hannah
Debbie Kirby
Branko Racki
Rick Forsayeth
Ted Hanlan
Dan Redford
Dennis Lundin
Jamie Jones
Marco Bianco
Leslie Munro
T.J. Scott
John Stoneham Sr.
Jérôme Tiberghien
John Stoneham Jr.
Ken Quinn
Suzanne Smith
Supervising Producer:
John M. Eckert
Supervising Sound Editor:
Jim Hopkins
Third Assistant Director:
Greg Zenon
Visual Effects Director:
Sam Nicholson
Visual Effects Supervisor:
Robert Ryan
Wardrobe Assistant:
Ton Pascal
Elizabeth Fleet
Wigmaker:
Paul R.J. Elliot
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.