A work in constant progress (and occasional regress).
Assistant Camera:
2020 Jesus Shows You the Way to the Highway
Carpenter:
2017 Manslayer/Virgin/Shadow
2020 Jesus Shows You the Way to the Highway
Color Grading:
2017 Manslayer/Virgin/Shadow
2020 Jesus Shows You the Way to the Highway
2025 Sugar
Director of Photography:
2017 Manslayer/Virgin/Shadow
2020 Jesus Shows You the Way to the Highway
2022 Infinite Mirror
2022 Kangling
2022 Not Too Hard and Not in the Face
2022 Trash Lords
2025 Sugar
Electrician:
2017 Manslayer/Virgin/Shadow
2018 FRESH BLOOD: Own and Stranger
2018 Fire Lily
2018 Phantom Owl Forest
2018 The Little Comrade
2018 The Riddle of Jaan Niemand
2018 True
2019 Scandinavian Silence
2019 Truth and Justice
2020 Bad Hair
2020 Goodbye Soviet Union
2020 Jesus Shows You the Way to the Highway
2020 Rain
2020 The Last Ones
2022 Infinite Mirror
2022 Kangling
2022 Not Too Hard and Not in the Face
2022 Trash Lords
2024 Birthday Girl
2024 I Do
2025 Jan Uuspõld Goes Home
2025 Sugar
First Assistant Camera:
2017 Manslayer/Virgin/Shadow
2018 FRESH BLOOD: Own and Stranger
2018 Fire Lily
2018 Phantom Owl Forest
2018 The Little Comrade
2018 The Riddle of Jaan Niemand
2018 True
2019 Scandinavian Silence
2019 Truth and Justice
2020 Bad Hair
2020 Goodbye Soviet Union
2020 Jesus Shows You the Way to the Highway
2020 Rain
2020 The Last Ones
2022 Infinite Mirror
2022 Kangling
2022 Not Too Hard and Not in the Face
2022 Trash Lords
2022 Wishes from the Well
2024 Birthday Girl
2024 I Do
2025 Jan Uuspõld Goes Home
2025 Sugar
Focus Puller:
2017 Manslayer/Virgin/Shadow
2018 FRESH BLOOD: Own and Stranger
2018 Fire Lily
2018 Phantom Owl Forest
2018 The Little Comrade
2018 The Riddle of Jaan Niemand
2018 True
2019 Scandinavian Silence
2019 Truth and Justice
2020 Bad Hair
2020 Goodbye Soviet Union
2020 Jesus Shows You the Way to the Highway
2020 Rain
2020 The Last Ones
2022 Infinite Mirror
2022 Kangling
2022 Not Too Hard and Not in the Face
2022 The Sleeping Beast
2022 Trash Lords
2022 Wishes from the Well
2024 Birthday Girl
2024 I Do
2025 Jan Uuspõld Goes Home
2025 Sugar
Gaffer:
2017 Manslayer/Virgin/Shadow
2018 FRESH BLOOD: Own and Stranger
2018 Fire Lily
2018 Phantom Owl Forest
2018 The Little Comrade
2018 The Riddle of Jaan Niemand
2018 True
2019 Scandinavian Silence
2019 Truth and Justice
2020 Bad Hair
2020 Goodbye Soviet Union
2020 Jesus Shows You the Way to the Highway
2020 Rain
2020 The Last Ones
2021 Brutes
2022 Infinite Mirror
2022 Kangling
2022 Not Too Hard and Not in the Face
2022 The Sleeping Beast
2022 Trash Lords
2022 Twin Turbo
2022 Wishes from the Well
2023 Nightingale
2024 Alien 2 or: The Return of Valdis in 17 Episodes
2024 Birthday Girl
2024 I Do
2024 Sauna Day
2025 Jan Uuspõld Goes Home
2025 Sugar
Second Assistant Camera:
2017 Manslayer/Virgin/Shadow
2018 FRESH BLOOD: Own and Stranger
2018 Fire Lily
2018 Phantom Owl Forest
2018 The Little Comrade
2018 The Riddle of Jaan Niemand
2018 True
2019 Scandinavian Silence
2019 Truth and Justice
2020 Bad Hair
2020 Goodbye Soviet Union
2020 Jesus Shows You the Way to the Highway
2020 Rain
2020 The Last Ones
2021 Brutes
2022 Infinite Mirror
2022 Kangling
2022 Not Too Hard and Not in the Face
2022 The Sleeping Beast
2022 Tiiu and Dragon
2022 Trash Lords
2022 Twin Turbo
2022 Wishes from the Well
2023 Nightingale
2024 Alien 2 or: The Return of Valdis in 17 Episodes
2024 Birthday Girl
2024 I Do
2024 Sauna Day
2025 Jan Uuspõld Goes Home
2025 Sugar
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.