A work in constant progress (and occasional regress).
Release Date:
November 1, 2018
Original Title:
Omad
Genres:
Comedy
Production Countries:
Estonia
Ratings / Certifications:
N/A
Runtime: 15
In True, five strangers meet in a doctor’s office. In a changing world, even an innocent joke is enough to trigger an avalanche.
"B" Camera Operator:
Ants Tammik
Assistant Director:
Erik Hans Sepp
Assistant Editor:
Jette Keedus
Assistant Production Design:
Jaan Kontkar
Jaak Sova
Boom Operator:
Kauri Lemberg
Catering:
Maie Rosmann
Chaperone:
Maiu Lünekund
Colorist:
Sten-Johan Lill
Construction Manager:
Tõnis Tallermaa
Costume Assistant:
Liisa Lotta Kask
Costume Designer:
Kaia Tungal
Digital Imaging Technician:
Kārlis Jaunzems
Director:
Marta Pulk
Director of Photography:
Sten-Johan Lill
Editor:
Hendrik Mägar
Electrician:
Aivo Rannik
Kasper Raidam
Tanel Topaasia
Juss Rebane
First Assistant Camera:
Gunnar Laal
Roald Sinissaar
Foley Artist:
Tapio Liukkonen
Gaffer:
Tõnis Tuuga
Makeup Artist:
Jennifer Õun
Helena Lahi
Makeup Designer:
Siiri Lauri
Online Editor:
Rasmus Puksmann
Original Music Composer:
Kostja Tsõbulevski
Producer:
Karolina Veetamm
Production Assistant:
Stella Saarts
Margot Privoi
Production Design:
Kamilla Kase
Screenplay:
Marta Pulk
Second Assistant Camera:
Ermins Baltais
Sound Designer:
Matis Rei
Sound Re-Recording Mixer:
Matis Rei
Sound Recordist:
Tanel Kadalipp
Special Effects:
Mattias Naan
Translator:
Lili Pilt
Ljudmilla Reimann
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.