A work in constant progress (and occasional regress).
Camera Operator:
2007 Imatra
2013 Io non ti conosco
2015 Me, Myself and Her
2016 7 Minutes
2018 Put Grandma in the Freezer
2019 Tomorrow's a New Day
2020 Il regno
2020 Rose Island
2021 Carosello Carosone
Cinematography:
2007 Imatra
2013 Io non ti conosco
2014 La felicità dopo tanto
2015 Me, Myself and Her
2016 7 Minutes
2018 Put Grandma in the Freezer
2019 Looking for Steve Paxton
2019 Tomorrow's a New Day
2020 Il regno
2020 Rose Island
2021 Carosello Carosone
Director of Photography:
2006 Confini d'Europa 2: Rio de Onor
2007 Imatra
2013 Io non ti conosco
2014 La felicità dopo tanto
2015 Me, Myself and Her
2016 7 Minutes
2018 Put Grandma in the Freezer
2019 Looking for Steve Paxton
2019 Tomorrow's a New Day
2020 Il regno
2020 Rose Island
2021 Carosello Carosone
Steadicam Operator:
2006 Confini d'Europa 2: Rio de Onor
2007 Imatra
2013 Io non ti conosco
2014 La felicità dopo tanto
2015 Me, Myself and Her
2016 7 Minutes
2017 It's All About Karma
2018 Put Grandma in the Freezer
2019 Looking for Steve Paxton
2019 Tomorrow's a New Day
2020 Il regno
2020 Rose Island
2021 Carosello Carosone
Steadycam:
2006 Confini d'Europa 2: Rio de Onor
2007 Imatra
2013 Io non ti conosco
2014 La felicità dopo tanto
2015 Me, Myself and Her
2016 7 Minutes
2016 Fräulein - A Winter’s Tale
2017 It's All About Karma
2018 Put Grandma in the Freezer
2019 Looking for Steve Paxton
2019 Tomorrow's a New Day
2020 Il regno
2020 Rose Island
2021 Carosello Carosone
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.