A work in constant progress (and occasional regress).
Release Date:
February 28, 2019
Original Title:
Domani è un altro giorno
Genres:
Comedy | Drama
Production Companies:
Baires Produzioni
Medusa Film
Sky Cinema
Production Countries:
Italy
Ratings / Certifications:
IT: T
Runtime: 101
When theatre actor Giuliano receives an unexpected visit from his childhood friend Tommasso, the encounter is bittersweet. This reunion is their first meeting in many years, triggered by Giuliano’s failing health and his decision to forgo treatment. Instead he is focussed on putting his affairs in order: distributing possessions, reconciling past disputes, and, most importantly, finding a home for his beloved canine, Pato. Over four days, the two men walk the streets of Rome, visiting bookshops, restaurants, veterinarians and friends, examining their lives and speculating on what the future holds.
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Assistant Camera:
Ernesto Busillo
Gioia Casale Cambria
Niccolò Brindasso
Assistant Editor:
Martina Ranieri
Boom Operator:
Alessandro Molaioli
Camera Operator:
Sebastiano Bazzini
Casting Director:
Gabriella Giannattasio
Costume Design:
Elena Minesso
Director:
Simone Spada
Director of Photography:
Maurizio Calvesi
Editor:
Clelio Benevento
First Assistant Director:
Dora Dalla Chiesa
Gaffer:
Emilio Scattaretico
Hair Department Head:
Nunzio Errico
Key Grip:
Marco Santarelli
Line Producer:
Fabrizio Manzollino
Makeup Department Head:
Vasco Bruno Tarallo
Original Music Composer:
Maurizio Filardo
Original Story:
Tomàs Aragay
Cesc Gay
Producer:
Manuel Tedesco
Maurizio Tedesco
Production Coordinator:
Paola Squitieri
Valentina Vinci Orlando
Production Design:
Alessandro Bigini
Production Manager:
Paolo Cellini
Screenplay:
Luca Vendruscolo
Giacomo Ciarrapico
Second Assistant Director:
Emmanuele Bianco
Angelo Urbano
Vincenzo Russo
Sound:
Gianluca Costamagna
Sound Editor:
Daniela Bassani
Unit Production Manager:
Massimo Del Signore
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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