A work in constant progress (and occasional regress).
Alias:
Michel Reihlac
Michel Reilhac, based in Amsterdam, has been Head of Submarine Channel since January 2017. Director of VR (Virtual Reality) films and the narrative architect of interactive storytelling, his last film, in VR, Viens!, made its world premiere at the Sundance Film Festival in January 2016. He is also a pioneer in transmedia storytelling formats and immersive, participatory and interactive experiences. Furthermore, he is Director of Studies at the Venice Biennale College-Cinema and is frequently invited to lecture and speak at international events (i.e. Cannes Film Festival, SXSW Austin, Tribeca Film Festival, Pixel Lab, Dixit, FEMIS, etc.). From 2002 to 2012, Michel was Head of Film Acquisitions at Arte France and Executive Director of Arte France Cinéma.
Associate Producer:
2005 Don't Come Knocking
2007 Son of Rambow
Co-Producer:
2005 Don't Come Knocking
2007 Son of Rambow
2009 Antichrist
2010 Huacho
2011 Americano
2011 Melancholia
2013 Salvo
Commissioning Editor:
2005 Don't Come Knocking
2005 Ghosts
2007 Son of Rambow
2009 Antichrist
2010 Huacho
2010 Womb
2011 Americano
2011 Melancholia
2013 Salvo
Director:
2002 The Good Old Naughty Days
2005 Don't Come Knocking
2005 Ghosts
2007 Son of Rambow
2009 Antichrist
2010 Huacho
2010 Womb
2011 Americano
2011 Melancholia
2013 Salvo
Idea:
2002 The Good Old Naughty Days
2005 Don't Come Knocking
2005 Ghosts
2007 Son of Rambow
2009 Antichrist
2010 Huacho
2010 Womb
2011 Americano
2011 Melancholia
2013 Salvo
Producer:
2002 The Good Old Naughty Days
2005 Don't Come Knocking
2005 Ghosts
2005 The Intruder
2007 Son of Rambow
2009 Antichrist
2010 Huacho
2010 Womb
2011 Americano
2011 Melancholia
2012 Blancanieves
2013 Salvo
Title Graphics:
2002 The Good Old Naughty Days
2005 Don't Come Knocking
2005 Ghosts
2005 The Intruder
2007 Son of Rambow
2009 Antichrist
2010 Huacho
2010 Womb
2011 Americano
2011 Melancholia
2012 Blancanieves
2013 Salvo
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.