A work in constant progress (and occasional regress).
Release Date:
May 20, 2009
Original Title:
Antichrist
Alternate Titles:
Antichristos
Antikrist
Antikristus
Antéchrist
Zedd-e-Masih
Genres:
Drama | Horror | Thriller
Production Companies:
ARTE France Cinéma
DR
Film i Väst
Groupe Grand Accord
Lucky Red
Memfis Film
SVT
Slot Machine
Trollhättan Film
ZDF/Arte
Zentropa Entertainments
Zentropa International Köln
Zentropa International Poland
Production Countries:
Denmark | France | Germany | Italy | Poland | Sweden
Ratings / Certifications:
AR: +16 AT: 16 AU: R 18+ BR: 18 CA: R DE: 18 DK: 15 ES: 18 FI: K-18 FR: 16|18 GB: 18 HK: III HU: 18 IE: 18 IN: A IT: 18+ JP: R18+ KR: 18 LT: N-18 MX: C NL: 16 NO: 18 PL: 18 PT: M/18 RO: 18+ RU: 18+ SE: 15 SG: R21 TR: 18+ US: NR ZA: 18
Runtime: 104
A grieving couple retreats to their cabin 'Eden' in the woods, hoping to repair their broken hearts and troubled marriage. But nature takes its course and things go from bad to worse.
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3D Animator:
Marcin Filipek
Art Department Trainee:
Tuba Sarica
Art Direction:
Tim Pannen
Assistant Art Director:
Ellen Somnitz
Assistant Property Master:
Stefan Höh
Boom Operator:
Ivan Dumas
CG Artist:
Jakub Knapik
Camera Operator:
Anthony Dod Mantle
Gökhan Balseven
Camera Technician:
Jakob Bonfils
Casting:
Victoria Beattie
Antoinette Boulat
Leo Davis
Des Hamilton
Malou Schultzberg
Clapper Loader:
Roman Schauerte
Co-Editor:
Åsa Mossberg
Co-Producer:
Rémi Burah
Gunnar Carlsson
Jérôme Clément
Madeleine Ekman
Gebhard Henke
Lars Jönsson
Andrea Occhipinti
Michel Reilhac
Andreas Schreitmüller
Małgorzata Szumowska
Ole Wendorff-Østergaard
Meinolf Zurhorst
Construction Manager:
Rüdiger Joch
Continuity:
Barbara Krieger
Costume Design:
Frauke Firl
Dialogue Coach:
Gerry Grennell
Director:
Lars von Trier
Director of Photography:
Anthony Dod Mantle
Dresser:
Anna Jacobi
Juan Ignacio Ugarte
Editor:
Anders Refn
Electrician:
Martin Andersen
Stefan Hiegemann
Stefan Schauerte
Jonathan Reim Eskildsen
Derek Gilbert Zacho
Executive Co-Producer:
Bettina Brokemper
Marianne Slot
Executive Producer:
Peter Garde
Peter Aalbæk Jensen
First Assistant Director:
Richard Styles
Tómas Gislason
Michael Elliott
Focus Puller:
Peter Topsøe-Jensen
Pim Tjujerman
Bastian Schiøtt
Foley Artist:
Julien Naudin
Foley Recordist:
Coll Anderson
Tim Nielsen
Gaffer:
Thomas Neivelt
Jacob Marlow
Greensman:
Maurizio Spina
Hair Designer:
Hue Lan Van Duc
Antje Bockeloh
In Memory Of:
Andrei Tarkovsky
Key Grip:
Bernd Mayer
Key Makeup Artist:
Hue Lan Van Duc
Key Set Painter:
Gabriele Winzen
Line Producer:
Sanne Glæsel
Johannes Rexin
Location Manager:
Martin Zillger
Location Scout:
Rüdiger Jordan
Makeup Artist:
Dennis Knudsen
Makeup Effects:
Thomas Foldberg
Morten Jacobsen
Matte Painter:
Jakub Grygier
Rafał Wojtunik
Modeling:
Piotr Suchodolski
Original Music Composer:
Kristian Eidnes Andersen
Painter:
Kornelia List
Bernd Nagel
Ellen Pechtheyden
Producer:
Meta Louise Foldager Sørensen
Production Accountant:
Lies Schumandl
Production Controller:
Claudia Coreen Kaiser
Production Coordinator:
Jeannette Ziemeck
Production Design:
Karl Júlíusson
Production Manager:
Rüdiger Jordan
Property Builder:
John Campana
Property Master:
Michael Kalden
Jesper Lorents
Props:
Edda Jónsdóttir
Sculptor:
Jean Roch Bechameil
Pit Paffen
Second Unit Director:
Peter Hjorth
Anders Refn
Set Decoration:
Simone Grau Roney
Sound Assistant:
Louise Palmkvist Hansen
Sound Designer:
Kristian Eidnes Andersen
Sound Effects Editor:
Peter Albrechtsen
Sound Mixer:
André Rigaut
Sound Re-Recording Mixer:
Roberto Cappannelli
Special Effects Coordinator:
Eric Zumkley
Special Effects Makeup Artist:
Uta Bucklitsch
Johanna Koch
Nicola Pandel
Sarah Poeck
Jörg Runk
Silke Weiss
Sarah Wirtz
Special Effects Technician:
Fabian Grobholz
Dennis Kron
Special Props:
Thomas Foldberg
Morten Jacobsen
Standby Property Master:
Sabine Steudter
Still Photographer:
Christian Geisnæs
Tom Trambow
Story Supervisor:
Anders Thomas Jensen
Storyboard Artist:
Sune Elskær
Peter Hjorth
Stunt Coordinator:
Ernst Reimann
Thanks:
Claudia Deselaers
Jens Albinus
Monika Allegreth
Tanja Baum
Christine Berg
Bonnie Bernstein
Sarah Beyer
Manfred Breuersbrock
Bo Brinck
Tine Byrckel
Daniel Börger
Peter Dreßen
Jacek Drosio
Martin Faltermeier
Frank Frattaroli
Rafaële Garcia
Gregor Gbur
Manuela Gmeinwieser
Guy Heinen
Constanze Hellmich
Dirk Hendrischke
Caroline Hoberg
Christa Hoberg
Mirjam Hoberg
Hagen Jobi
Volker Kaiser
Gabriele Keil-Riegert
Pia Klein
Corinna Kraney
Ulf Otto Kraney
Matthias Krause
Axel Kreitz
Frithjof Kühn
Jean-Claude Lamy
Peter Lemke
Knut Maier
Stephan Martini
Birgit Maurer
Kai Miebach
Frédérique Moidon
Margaret Ménégoz
Benjamin Müller
Michael Naguib
Anne Olivet
Gerald Paffenholz
Michael Schmid-Ospach
Karl-Otto Schmidt
Detlev Schreiber
Christian Schwalbe
Heiko Schweim
Jörg Schweizer
Thomas Sonsing
Sybille Steinfartz
Britta Stommel
Elke Säglitz
Georg Thorwarth
Tomas Vasina
Sascha Verhey
Régine Vial
Kay Vierguts
Ekkehard Waffenschmidt
Dan Walker
Tomasz Wasilewski
Joanna Wendorff
Angharad Wood
Title Designer:
Per Kirkeby
Title Illustration:
Per Kirkeby
Unit Manager:
Laura Einmahl
Visual Effects Coordinator:
Sarah K. Hellström
Visual Effects Producer:
Sean Wheelan
Piotr Sikora
Jarosław Sawko
Karen Maarbjerg
Visual Effects Supervisor:
Peter Hjorth
Writer:
Lars von Trier
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.