A work in constant progress (and occasional regress).
Alias:
Thomas Palloutashi
Birthplace:
Houston, Texas, USA
Born:
May 25, 1968
Tommy Pallotta is a storyteller who creatively blends technology with filmmaking, animation, and interactivity. Microsoft Research recognized his penchant for innovation where he led a research team to create and design interactive, animated storytelling experiences. Pallotta also directed the first machinima music video, In the Waiting Line, and the rotoscoped MTV Breakthrough video Destiny, both for the band Zero 7. He has produced several short animated films that garnered numerous awards, including Snack and Drink, which is now part of a permanent collection in the New York Museum of Modern Art. Tommy first connected Richard Linklater with animation when he produced the award-winning feature film Waking Life. He followed up with Philip K. Dick’s A Scanner Darkly, starring Keanu Reeves and Robert Downey Jr. He then directed the Emmy-nominated transmedia thriller, Collapsus. Most recently he co-directed the feature documentary/ animation hybrid: Last Hijack. The interactive companion of Last Hijack won an International Digital Emmy Award.
Director:
2009 American Prince
2014 Last Hijack
2018 More Human Than Human
Director of Photography:
2001 Waking Life
2009 American Prince
2014 Last Hijack
2018 More Human Than Human
Executive Producer:
2001 Waking Life
2009 American Prince
2014 Last Hijack
2018 More Human Than Human
2023 The Last Ecstatic Days
Producer:
2001 Waking Life
2006 A Scanner Darkly
2009 American Prince
2014 Last Hijack
2016 Snack And Drink
2018 More Human Than Human
2022 Apollo 10½: A Space Age Childhood
2023 The Last Ecstatic Days
Technical Supervisor:
2001 Tape
2001 Waking Life
2006 A Scanner Darkly
2009 American Prince
2014 Last Hijack
2016 Snack And Drink
2018 More Human Than Human
2022 Apollo 10½: A Space Age Childhood
2023 The Last Ecstatic Days
Writer:
2001 Tape
2001 Waking Life
2006 A Scanner Darkly
2009 American Prince
2014 Last Hijack
2016 Snack And Drink
2018 More Human Than Human
2022 Apollo 10½: A Space Age Childhood
2023 The Last Ecstatic Days
Executive Producer:
2019 Undone
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.