A work in constant progress (and occasional regress).
Release Date:
July 7, 2006
Original Title:
A Scanner Darkly
Alternate Titles:
A Scanner Darkly: Una mirada a la oscuridad
Neižvelgiamas pasaulis
Scanner Darkly, A
Temacno zrcalo
Una mirada a la oscuridad
Viziuni întunecate
黑暗掃描儀
Genres:
Animation | Science Fiction | Thriller
Production Companies:
3 Arts Entertainment
Detour Filmproduction
Section Eight
Thousand Words
Warner Independent Pictures
Production Countries:
United States of America
Ratings / Certifications:
AU: M BR: 16 CZ: 18+ DE: 16 FI: K-16 GB: 15 HU: 18 IE: 18 NO: 15 PL: 18 PT: M/16 RO: 15 RU: 16+ SE: 15 US: R
Runtime: 100
An undercover cop in a not-too-distant future becomes involved with a dangerous new drug and begins to lose his own identity as a result.
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Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.
ADR Editor:
Ajae Clearway
ADR Mixer:
Thomas J. O'Connell
Animal Wrangler:
Gil Dean
Art Department Coordinator:
Fred Daniel
Assistant Chief Lighting Technician:
Josh Taylor
Assistant Craft Service:
Lisa Del Dotto
Assistant Location Manager:
Dustin Weaver
Assistant Property Master:
Erick Garibay
Associate Producer:
Sara Johnson
Best Boy Grip:
Matt Cowan
Boom Operator:
Tom Sturgis
Camera Operator:
Ralph Watson
Casting:
Denise Chamian
Casting Associate:
Scout Masterson
Chief Lighting Technician:
Robert B. Reynolds
Co-Producer:
Erin Ferguson
Construction Coordinator:
Ian Sebastian Kasnoff
Costume Design:
Kari Perkins
Costume Supervisor:
Melanie Armstrong Fletcher
Dialogue Editor:
Ajae Clearway
Director:
Richard Linklater
Director of Photography:
Shane F. Kelly
Editor:
Sandra Adair
Executive Producer:
George Clooney
Steven Soderbergh
Jennifer Fox
Ben Cosgrove
John Sloss
First Assistant Camera:
Peter Simonite
First Assistant Director:
Vincent Palmo Jr.
First Assistant Editor:
Christopher Roldan
Foley Artist:
Gregg Barbanell
Foley Mixer:
Jason Piatt
Grip:
Michael Reyes
Hair Department Head:
Darylin Nagy
Hairstylist:
Katina Gilkey
Head of Animation:
Jason Archer
Key Grip:
Aaron Atom Vyvial
Lead Animator:
Sterling Allen
Evan Cagle
Nick Derington
Loader:
Tod Campbell
Local Casting:
Beth Sepko
Location Manager:
Peter Atherton
Makeup Department Head:
Darylin Nagy
Music Supervisor:
Nic Ratner
Musician:
Bruce Colson
Novel:
Philip K. Dick
On Set Dresser:
Melanie Ferguson
Original Music Composer:
Graham Reynolds
Producer:
Palmer West
Anne Walker-McBay
Jonah Smith
Tommy Pallotta
Erwin Stoff
Production Accountant:
Morgan Miles
Production Coordinator:
Dominic Cancilla
Production Design:
Bruce Curtis
Production Secretary:
Shannon Blackburn
Production Sound Mixer:
Ethan Andrus
Property Master:
Stefan Wilcox
Screenplay:
Richard Linklater
Script Supervisor:
Brooke Satrazemis
Second Assistant Director:
Kathie Tull
Second Second Assistant Director:
Andrew Payer
Set Decoration:
Joaquin A. Morin
Set Dresser:
Brad Blei
Set Medic:
Melody Lloyd
Sound Designer:
Tom Hammond
Sound Effects Editor:
Justin Hennard
Sound Engineer:
Peter Germansen
Sound Re-Recording Mixer:
Skip Lievsay
Jeremy Peirson
Special Effects Coordinator:
Steve Krieger
Still Photographer:
Matt Lankes
Storyboard Artist:
Raymond Consing
Supervising Sound Editor:
Tom Hammond
Title Designer:
Michael P. Garza
Transportation Captain:
Jesus F. Tellez
Transportation Coordinator:
Ronald D. Chambers
Unit Production Manager:
Susan Kirr
Unit Publicist:
Tracey Schaefer
Utility Sound:
Michael Swanner
Visual Effects Supervisor:
Richard Gordoa
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.