A work in constant progress (and occasional regress).
Alias:
Олександр Коротун
Assistant Camera:
2012 Мамо, я льотчика люблю
2017 Bitter Harvest
2017 Falling
Camera Operator:
2012 Мамо, я льотчика люблю
2017 Bitter Harvest
2017 Falling
2022 Roses. Film-Cabaret
Cinematography:
2012 Мамо, я льотчика люблю
2017 Bitter Harvest
2017 Falling
2021 Leopolis Night
2022 Roses. Film-Cabaret
First Assistant Camera:
2012 Мамо, я льотчика люблю
2013 The Green Jacket
2017 Bitter Harvest
2017 Falling
2018 Julia Blue
2021 Leopolis Night
2022 Roses. Film-Cabaret
Focus Puller:
2012 Мамо, я льотчика люблю
2013 The Green Jacket
2017 Bitter Harvest
2017 Falling
2017 Frost
2017 Lilac
2017 The Strayed
2018 Crocodile
2018 DZIDZIO First Time
2018 Julia Blue
2018 Weightlifter
2020 Atlantis
2020 Numbers
2020 Parade
2020 U311 Cherkasy
2021 99 Songs
2021 Leopolis Night
2022 Pamfir
2022 Roses. Film-Cabaret
2022 Stop-Zemlia
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.