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Pamfir (2022) [N/A]

Release Date:
November 2, 2022

Original Title:
Памфір

Alternate Titles:
Le Serment de Pamfir

Genres:
Crime | Drama

Production Companies:
Bosonfilm
Les Films d'Ici
Madants
Mainstream Pictures LLC
Quijote Films
Studio Orlando
Wady Films
soilfilms

Production Countries:
Chile | France | Luxembourg | Poland | Ukraine

Ratings / Certifications:
LT: N-16 

Runtime: 106

Overview from TheMovieDB

When reformed ex-smuggler Pamfir returns home to his village on the Ukrainian border after working abroad for several years, he’s determined to earn an honest living and set a good example for his beloved teenage son Nazar. But in a town where corruption runs deep and crime and religion are inextricably linked, his plan is quickly thwarted when Nazar sets fire to the local church in a misguided effort to keep him at home. To pay for the damage, Pamfir must take on one last job for a crime syndicate operating a risky smuggling venture in a place where all the rules have changed.

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Production

Administration:
Beata Rzeźniczek

Assistant Production Manager:
Gabriela Gajewska

Casting Director:
Olha Liubarova

Co-Producer:
Adolf El Assal
Silvana Santamaria

Costume Designer:
Mariia Kvitka

Director:
Dmytro Sukholytkyi-Sobchuk

Director of Photography:
Mykyta Kuzmenko

Editor:
Nikodem Chabior

Focus Puller:
Oleksandr Korotun

Location Manager:
Viktor Shevchenko

Music:
Laëtitia Pansanel-Garric

Producer:
Oleksandra Kostina
Yevheniia Yatsuta
Laura Briand
Bogna Szewczyk-Skupień
Giancarlo Nasi
Klaudia Śmieja-Rostworowska

Producer's Assistant:
Kinga Tasarek

Production Design:
Ivan Mykhaylov

Sound:
Matthieu Deniau
Serhii Stepanskyi

Unit Production Manager:
Viktor Shevchenko

Writer:
Dmytro Sukholytkyi-Sobchuk

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Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.