Rob Davidson

Rob Davidson has worked in the Twickenham Sound Team for two years and has established himself on a wide variety of projects, ranging from large Dolby Atmos projects to more intimate independent productions. He works closely with mixers to help achieve a bespoke and efficient mix theatre and brings enthusiasm and a strong work ethic to each project. Rob takes pride in having worked on many fantastic productions at TFS and looks forward to working on more in the future.

Additional information:

The Search Form


Foley Editor:
2023  Blue Jean
2023  Mission: Impossible - Dead Reckoning Part One
2023  Saltburn
2024  All of You
2024  Bird
2024  The Radleys
2024  We Live in Time
????  Picture This

Sound Mix Technician:
2020  Possessor
2023  Blue Jean
2023  Mission: Impossible - Dead Reckoning Part One
2023  Saltburn
2024  All of You
2024  Bird
2024  The Radleys
2024  We Live in Time
????  Picture This

Sound Recordist:
2020  Possessor
2023  Blue Jean
2023  Mission: Impossible - Dead Reckoning Part One
2023  Saltburn
2024  All of You
2024  Bird
2024  The Radleys
2024  We Live in Time
????  Picture This

Foley Editor:
2011  Black Mirror

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.