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We Live in Time (2024) [R]

Release Date:
October 10, 2024

Original Title:
We Live in Time

Alternate Titles:
El Tiempo Que Tenemos
Vivir el Momento
We Love In Time
ما در لحظه زندگی می‌کنیم
我们同在
我們同在

Genres:
Drama | Romance

Production Companies:
Film4 Productions
Shoebox Films
StudioCanal
SunnyMarch

Production Countries:
United Kingdom

Ratings / Certifications:
AU: M  BR: 14  CA: 14A  CL: TE+7  DE: 12  ES: 12  GB: 15  HK: IIB  HU: 12  ID: 17+  IE: 15A  IL: 14  MX: B  NZ: M  PR: R  RU: 18+  SE: 7  SG: M18  TH: 15  TW: 12+  US: R  VI: R 

Runtime: 108

Every minute counts.

Overview from TheMovieDB

An up-and-coming chef and a recent divorcée find their lives forever changed when a chance encounter brings them together, in a decade-spanning, deeply moving romance.

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Additional information:

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Video

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Trailer

Teaser

Clip

Featurette

Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.

Performers

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Production

ADR Voice Casting:
Vanessa Baker

Art Department Assistant:
Amelia Williams

Art Direction:
Lissa Lamona

Assistant Art Director:
Rowland Siddall

Assistant Property Master:
Roisin Abbott

Assistant Set Decoration:
Marlow Hope

Boom Operator:
Chris Murphy

Casting:
Fiona Weir

Casting Assistant:
Sinéad Donnelly
Lilly Mackie

Co-Producer:
Tim Dennison

Colorist:
Thomas Urbye

Costume Design:
Liza Bracey

Costume Supervisor:
Georgina Napier

Crowd Assistant Director:
Charlotte Amelia Miles
Georgina Miles

Digital Imaging Technician:
Shibbir Ahmed

Director:
John Crowley

Director of Photography:
Stuart Bentley

Editor:
Justine Wright

Executive Producer:
Benedict Cumberbatch
Ron Halpern
Joe Naftalin
Ollie Madden
Daniel Battsek
David Kimbangi
Anna Marsh

First Assistant "A" Camera:
Adam Conlon

First Assistant Director:
Zoe Liang

First Assistant Editor:
Rob Eden

Foley Artist:
Oliver Ferris

Foley Editor:
Rob Davidson

Foley Supervisor:
Adam Mendez

Gaffer:
Matt Moffatt

Graphic Designer:
Jessica Sutton

Hair Designer:
Ivana Primorac

Lighting Technician:
Cade Conetta
Bruce Magahy
Norbert Strehle

Makeup Designer:
Ivana Primorac

Music Coordinator:
Lily Leonard

Music Editor:
Tony Lewis
Yann McCullough

Music Supervisor:
Nick Angel

Online Editor:
Aidan Bennett

Original Music Composer:
Bryce Dessner

Post Production Supervisor:
Gisela Evert

Producer:
Leah Clarke
Adam Ackland
Guy Heeley

Production Design:
Alice Normington

Production Sound Mixer:
John Casali

Property Master:
Noel Cowell

Score Engineer:
Jeremy Murphy

Script Supervisor:
Alana Marmion-Warr

Second Assistant Director:
Danni Lizaitis

Set Decoration:
Sarah Kane

Songs:
Romy
Sampha

Sound Designer:
Arthur Graley

Sound Editor:
Max Walsh

Sound Re-Recording Mixer:
Filipe Pereira

Special Effects Coordinator:
Bailey Wright

Special Effects Makeup Artist:
Sally Alcott

Special Effects Supervisor:
John Rafique

Special Effects Technician:
Chris Watson

Standby Art Director:
Rebecca Sutton

Steadicam Operator:
Stamos Triantafyllos

Storyboard Artist:
Temple Clark

Stunt Coordinator:
Nrinder Dhudwar

Stunt Double:
Christina Low

Supervising Art Director:
Thalia Ecclestone

Supervising Sound Editor:
Dan Morgan

Title Designer:
Matt Curtis

VFX Artist:
Paul Alexander Gill

Visual Effects Producer:
April-Rae Hughes

Visual Effects Supervisor:
Peter Young

Writer:
Nick Payne

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About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

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  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.