Alfred Cox

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ADR & Dubbing:
1974  Death Wish

Dialogue Editor:
1974  Death Wish
1985  King David

Editor:
1958  The Revenge of Frankenstein
1959  The Hound of the Baskervilles
1959  The Mummy
1959  The Stranglers of Bombay
1959  Yesterday's Enemy
1960  Never Take Sweets from a Stranger
1960  The Brides of Dracula
1960  Visa to Canton
1961  The Curse of the Werewolf
1961  Watch It, Sailor!
1962  The Phantom of the Opera
1962  The Primitives
1964  The Tomb of Ligeia
1965  Die, Monster, Die!
1974  Death Wish
1976  Black Trash
1976  The Making of an Epic: Mohammad, Messenger of God
1985  King David

Negative Cutter:
1950  Room to Let
1958  The Revenge of Frankenstein
1959  The Hound of the Baskervilles
1959  The Mummy
1959  The Stranglers of Bombay
1959  Yesterday's Enemy
1960  Never Take Sweets from a Stranger
1960  The Brides of Dracula
1960  Visa to Canton
1961  The Curse of the Werewolf
1961  Watch It, Sailor!
1962  The Phantom of the Opera
1962  The Primitives
1964  The Tomb of Ligeia
1965  Die, Monster, Die!
1974  Death Wish
1976  Black Trash
1976  The Making of an Epic: Mohammad, Messenger of God
1985  King David

Sound Editor:
1950  Room to Let
1956  X the Unknown
1958  The Revenge of Frankenstein
1958  The Steel Bayonet
1959  The Hound of the Baskervilles
1959  The Mummy
1959  The Stranglers of Bombay
1959  Yesterday's Enemy
1960  Never Take Sweets from a Stranger
1960  The Brides of Dracula
1960  Visa to Canton
1961  The Curse of the Werewolf
1961  Watch It, Sailor!
1962  The Phantom of the Opera
1962  The Primitives
1963  Jason and the Argonauts
1964  The Comedy Man
1964  The Leather Boys
1964  The Tomb of Ligeia
1965  Die, Monster, Die!
1966  Lost Command
1971  The Trojan Women
1974  Death Wish
1976  Black Trash
1976  The Making of an Epic: Mohammad, Messenger of God
1979  The Lady Vanishes
1980  Dominique
1981  Dangerous Davies: The Last Detective
1985  King David

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.