A work in constant progress (and occasional regress).
Release Date:
May 1, 1966
Original Title:
Lost Command
Alternate Titles:
Commandos
Mando perdido
The Lost Command
Genres:
Action | War
Production Companies:
Red Lion
Production Countries:
United States of America
Ratings / Certifications:
BE: 16 BR: 16 FR: U IE: 15 NL: 16 SE: 7
Runtime: 129
After being freed from a Vietnamese war prison, French Lt. Col. Pierre Raspeguy is sent to help quell resistance forces in Algeria. With the help of the Capt. Esclavier, who has grown weary of war, and Capt. Boisfeuras, who lives for it, Raspeguy attempts to convert a rugged band of soldiers into a formidable fighting unit, with the promise of marrying a beautiful countess if he's made a general.
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Additional Photography:
Jack Willoughby
Art Direction:
John Stoll
Assistant Art Director:
José Algueró
Assistant Director:
John Quested
José María Ochoa
Assistant Sound Editor:
Geoff R. Brown
Associate Producer:
John R. Sloan
Boom Operator:
Harry Fairbairn
Camera Operator:
Bruce Surtees
Casting:
Harvey Woods
Construction Manager:
Harry Arbour
Continuity:
Elaine Schreyeck
Costume Design:
Tanine Autré
Costumer:
Ron Beck
John Wilson-Apperson
Director:
Mark Robson
Director of Photography:
Robert Surtees
Editor:
Dorothy Spencer
Location Manager:
Apolinar Rabinal
Makeup Artist:
Francisco Puyol
Harold Fletcher
Novel:
Jean Lartéguy
Orchestrator:
Leonid Raab
Original Music Composer:
Franz Waxman
Producer:
Mark Robson
Production Manager:
Mac Davidson
Production Supervisor:
Luis Roberts
Second Assistant Director:
Jonathan Benson
Set Decoration:
Vernon Dixon
Sound:
Wally Milner
Jack Haynes
Sound Editor:
Alfred Cox
Special Effects:
Manuel Baquero
Kit West
Unit Manager:
Claude Hudson
Visual Effects:
Fred Tuch
Writer:
Nelson Gidding
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.