A work in constant progress (and occasional regress).
Alias:
Russell Morton
Russell Adam Morton makes films, performances and is a professional cinematographer. He is a graduate from the Puttnam School of Film, LASALLE College of the Arts (2010) and obtained an MA in Fine Arts from Camberwell College of the Arts, UAL (2012). His first film, The Silent Dialogue of All Artworks was screened at the National Museum of Singapore’s 10th Singapore Short Cuts, the Substation’s 4th Experimental Film Forum and the Thai Short Film & Video Festival 2014. The film went on to win Best Experimental Film at the 5th Singapore Short Film Awards. His second film, The Forest of Copper Columns won the Cinematic Achievement Award at the Thessaloniki Short Film Festival 2016 and was selected for several festivals including the Thai Short Film & Video Festival, Jogja Netpac Asian Film Festival, SEAShorts and Short Shorts Film Festival 2017. Russell was also the director of photography for Ang Song Ming’s Recorder Rewrite, Singapore’s entry to the 58th Venice Biennale in 2019. In 2020, the Asian Film Archive commissioned Russell to make Saudade, a short film set against the exultant Eurasian imaginations about the loss and displacement of the community's language, Kristang.
Co-Director:
2020 The Wandering
Director:
2013 The Silent Dialogue of All Artworks
2017 Forest of Copper Columns
2020 Saudade
2020 The Wandering
2021 Between Beginnings: Donna Ong
???? Mystic & Momok
Director of Photography:
2013 The Silent Dialogue of All Artworks
2014 Chamber of Ox
2017 Forest of Copper Columns
2018 Killuminati
2018 Pontianak
2018 Upside Down Polaroid
2020 An Invocation to the Earth
2020 Approximities
2020 Dancing with the Ghost of My Child
2020 Saudade
2020 Seven Legged Spider Dance Troupe
2020 The Wandering
2021 Between Beginnings: Donna Ong
2022 #LookAtMe
2023 In My Mother's Skin
2024 Some Nights I Feel Like Walking
2024 Tomorrow Is a Long Time
???? Mystic & Momok
Editor:
2013 The Silent Dialogue of All Artworks
2014 Chamber of Ox
2017 Forest of Copper Columns
2018 Killuminati
2018 Pontianak
2018 Upside Down Polaroid
2020 An Invocation to the Earth
2020 Approximities
2020 Dancing with the Ghost of My Child
2020 Saudade
2020 Seven Legged Spider Dance Troupe
2020 The Wandering
2021 Between Beginnings: Donna Ong
2022 #LookAtMe
2023 In My Mother's Skin
2024 Some Nights I Feel Like Walking
2024 Tomorrow Is a Long Time
???? Mystic & Momok
Music:
2013 The Silent Dialogue of All Artworks
2014 Chamber of Ox
2017 Forest of Copper Columns
2018 Killuminati
2018 Pontianak
2018 Upside Down Polaroid
2020 An Invocation to the Earth
2020 Approximities
2020 Dancing with the Ghost of My Child
2020 Saudade
2020 Seven Legged Spider Dance Troupe
2020 The Wandering
2021 Between Beginnings: Donna Ong
2022 #LookAtMe
2023 In My Mother's Skin
2024 Some Nights I Feel Like Walking
2024 Tomorrow Is a Long Time
???? Mystic & Momok
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.