A work in constant progress (and occasional regress).
Release Date:
July 23, 2022
Original Title:
#LookAtMe
Genres:
Drama
Production Countries:
Singapore
Ratings / Certifications:
N/A
Runtime: 108
A Youtuber posts an irreverent video trolling a megachurch pastor, in defence of his gay twin brother. He is vilified by society, tried in court, and pitted against a culture that threatens to destroy his family.
Click each video panel to show or hide.
Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.
Art Direction:
Andy Phua
Associate Producer:
Jane Iyer
Sunder Iyer
Terence CW Lim
Kelvin Loh
Valerie Ong
Mike Syn
Hong Wui Tan
Best Boy Grip:
Muhammad Fuad Bin Zulkifli
Boom Operator:
Jonathan Teo
Colorist:
Susumu Asano
Costume Design:
Irin Lee
Data Wrangler:
Imran Shafie
Munesh Varadaraju
Director:
Ken Kwek
Director of Photography:
Russell Adam Morton
Driver:
Joo Wan Kim
Editor:
Olly Stothert
Executive Producer:
Lincoln Chan
Lyn Chan
Stella T. East
Fiona Goh-Tan
Eng Hua Kuah
Finian Tan
Terry Tan
Danny Yong
Harris Zaidi
First Assistant Camera:
Calvin Joseph Phua
First Assistant Director:
Goh Koon How
Gaffer:
Haikal Ismail
Key Grip:
Malik Basar
Line Producer:
Zhi Qi Yeo
Makeup Artist:
Antonio Cheng
Maryjane Lee
Mavis Ng
Cherylynn Poh
Carol Yoong
Music:
Harris Zaidi
Ting Si Hao
Producer:
Jeremy Chua
Kat Goh
Pamela Oei
Production Design:
Jed Lim
Production Manager:
Sherilyn Lee
Props:
Shu Yun Chiam
Script Supervisor:
Nelson Yeo
Second Assistant Camera:
Timothy Bryan Koh
Second Assistant Director:
Chloe Leong
Sound Editor:
Ting Li Lim
Sound Mixer:
Amelia Sai
Sound Recordist:
Lijie Cheng
Justin Loh
Special Effects Supervisor:
Ngo Hock Lim
Alvin Ong
Story:
Ken Kwek
Shane Mardjuki
Wardrobe Assistant:
Rachel Lim
Writer:
Ken Kwek
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.