A work in constant progress (and occasional regress).
Alias:
Chloe Sevigny
Chloë Stevens Sevigny
Chlöe Sevigny
کلوئه سونی
کلوئه سِوینی
کلوئی سونی
کلوئی سِوینی
クロエ・セビニー
克蘿伊·塞凡妮
科洛·塞维尼
클로에 세비니
Birthplace:
Springfield, Massachusetts, USA
Born:
November 18, 1974
Chloë Stevens Sevigny (/ˈsɛvəni/ SEV-ən-ee; born November 18, 1974) is an American actress. Known for her work in independent films, often appearing in controversial or experimental features, Sevigny has received several accolades, including a Golden Globe Award and a nomination for an Academy Award. After graduating from high school, Sevigny found work as a model and appeared in music videos for Sonic Youth and The Lemonheads, which helped acquire her "it girl" status. In 1995, she made her film debut in Kids and became a prominent performer in the independent film scene throughout the late 1990s, with roles in such films as 1996's Trees Lounge. Sevigny rose to prominence with her portrayal of Lana Tisdel in the drama film Boys Don't Cry (1999), for which she received a nomination for the Academy Award For Best Supporting Actress. Throughout the 2000s, Sevigny appeared in supporting parts in numerous independent films, including American Psycho (2000), Demonlover(2002), Party Monster and Dogville (both 2003), and The Brown Bunny (2004). Her participation in the latter caused considerable controversy due to a scene in which she performed graphic, unsimulated fellatio. From 2006 to 2011, Sevigny portrayed Nicolette Grant on the HBO series Big Love, for which she won a Golden Globe Award for Best Supporting Actress in 2010. She also appeared in mainstream films such as David Fincher's Zodiac (2007) and starred in numerous television projects, including the British series Hit & Miss (2012), and had supporting roles in Portlandia (2013), two seasons of American Horror Story; and in the Netflix series Bloodline (2015–2017) and Monsters: The Lyle and Erik Menendez Story (2024). Sevigny made her directorial debut in 2016 with the short film Kitty. Her third film as a director, White Echo, competed for the Short Film Palme d'Or at the 2019 Cannes Film Festival. She also has a career in fashion design concurrent with her acting work. Over the years, her alternative fashion sense has earned her a reputation as a style icon. Description above from the Wikipedia article Chloë Sevigny, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Costume Design:
1997 Gummo
2013 Magic Hour
Director:
1997 Gummo
2013 Magic Hour
2016 Kitty
2017 Carmen
2019 White Echo
2024 Lypsinka: Toxic Femininity
Producer:
1997 Gummo
2013 Magic Hour
2016 Kitty
2017 Carmen
2018 Lizzie
2019 White Echo
2024 Lypsinka: Toxic Femininity
Screenplay:
1997 Gummo
2013 Magic Hour
2016 Kitty
2017 Carmen
2018 Lizzie
2019 White Echo
2024 Lypsinka: Toxic Femininity
Writer:
1997 Gummo
2013 Magic Hour
2016 Kitty
2017 Carmen
2018 Lizzie
2019 White Echo
2024 Lypsinka: Toxic Femininity
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.