A work in constant progress (and occasional regress).
Release Date:
February 1, 2024
Original Title:
Lypsinka: Toxic Femininity
Production Companies:
Jennifer Campos Productions
Ratings / Certifications:
N/A
Runtime: 43
Award-winning actress and filmmaker Chloë Sevigny returns to the director’s chair bringing her own instinctual depth and glamor to the short film Lypsinka: Toxic Femininity, a singular work centering around downtown legend Lypsinka, the surrealist and iconic stage creation of John Epperson. Inhabiting the words of Hollywood icons from Judy Garland to Joan Crawford trapped in an airless world of old-fashioned TV glamor, Lypsinka guides us through her fever dream as she grapples with her psyche as a celebrity.
Art Direction:
Erica Magrey
Assistant Camera:
Stephi Duckula
Samantha Sutcliffe
Assistant Editor:
Wu Wenti
Color Assistant:
Emily Bailey
Colorist:
Tom Poole
Costume Designer:
Jeff Mahshie
David Goldberg
Costume Supervisor:
Kyle Lacolla
Digital Imaging Technician:
Stephi Duckula
Director:
Chloë Sevigny
Director of Photography:
Jennifer Juniper Stratford
Editor:
Sophie Corra
Finishing Producer:
Ray Stanton
First Assistant Director:
Daniel Hanson
Gaffer:
Austin LoCicero
Grip:
Tray Tsui
Key Grip:
Eli Freireich
Makeup Artist:
Louis Braun
Mix Technician:
Eben Bull
Producer:
Scott Elliott
Craig Butta
Production Assistant:
David Goldberg
Luis Figueroa
Hunter Gause
Jared Greenberg
Daniel McCleroy
Production Designer:
Derek McLane
Set Photographer:
Jeff Bark
Leia Josef
Monique Carboni
Sound Editor:
Alex Noyes
Tailor:
Shannon S. O'Hara
Unit Production Manager:
Rachel Walden
Wig Designer:
John Novotny
Writer:
John Epperson
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.