Lypsinka: Toxic Femininity (2024) [N/A]

Release Date:
February 1, 2024

Original Title:
Lypsinka: Toxic Femininity

Production Companies:
Jennifer Campos Productions

Ratings / Certifications:
 N/A

Runtime: 43

Award-winning actress and filmmaker Chloë Sevigny returns to the director’s chair bringing her own instinctual depth and glamor to the short film Lypsinka: Toxic Femininity, a singular work centering around downtown legend Lypsinka, the surrealist and iconic stage creation of John Epperson. Inhabiting the words of Hollywood icons from Judy Garland to Joan Crawford trapped in an airless world of old-fashioned TV glamor, Lypsinka guides us through her fever dream as she grapples with her psyche as a celebrity.

Additional information:

The Search Form


Art Direction:
Erica Magrey

Assistant Camera:
Stephi Duckula
Samantha Sutcliffe

Assistant Editor:
Wu Wenti

Color Assistant:
Emily Bailey

Colorist:
Tom Poole

Costume Designer:
Jeff Mahshie
David Goldberg

Costume Supervisor:
Kyle Lacolla

Digital Imaging Technician:
Stephi Duckula

Director:
Chloë Sevigny

Director of Photography:
Jennifer Juniper Stratford

Editor:
Sophie Corra

Finishing Producer:
Ray Stanton

First Assistant Director:
Daniel Hanson

Gaffer:
Austin LoCicero

Grip:
Tray Tsui

Key Grip:
Eli Freireich

Makeup Artist:
Louis Braun

Mix Technician:
Eben Bull

Producer:
Scott Elliott
Craig Butta

Production Assistant:
David Goldberg
Luis Figueroa
Hunter Gause
Jared Greenberg
Daniel McCleroy

Production Designer:
Derek McLane

Set Photographer:
Jeff Bark
Leia Josef
Monique Carboni

Sound Editor:
Alex Noyes

Tailor:
Shannon S. O'Hara

Unit Production Manager:
Rachel Walden

Wig Designer:
John Novotny

Writer:
John Epperson

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.