A work in constant progress (and occasional regress).
Alias:
Cheuk Hang Chapman Kan
Birthplace:
Hong Kong, British Crown Colony [now China]
Born:
December 10, 1989
Chapman Kan has a passion for crafting spaces for storytelling.During Chapman's early years, he developed a set of refined skills in design and fabrication. Whilst young, he was fortunate to receive tutelage from Artist Wong Tin-Yan (Junk Wood Sculpture), which helped him form an understanding for materials and practical problem solving. Thanks to certain academic and professional bursaries, he was allowed to learn from some of the most established practitioners in design, such as Liam Young (Tomorrow's Thoughts Today, Princeton University, SCI-Arc) and Terry Ackland-Snow (FDI, Batman, Superman III).He participates in charity projects frequently and has built a Sustainable Housing Unit for Solar Decathlon in Madrid, a Pedestrian Bridge for rural Chinese Village in Yunan, Sustainable Urban Interventions in Japanese Village in Niigata Prefecture, and more recently, worked on awareness-raising films such as the BAFTA-nominated short documentary Consumed (dir. Richard Seymour) and Rate Me (dir. Fyzal Boulifa), which won the Illy Prize at Cannes.Following his passion, Chapman hopes to continue building lasting relationships while contributing to the making of interesting spaces for the film and TV art departments.
Art Direction:
2016 The Arrival
2018 Songbird
Assistant Art Director:
2016 The Arrival
2018 Songbird
2024 Blitz
Set Designer:
2016 The Arrival
2018 Songbird
2024 Blitz
???? The Phoenician Scheme
Standby Art Director:
2016 Abduct
2016 The Arrival
2018 Songbird
2024 Blitz
???? The Phoenician Scheme
Art Direction:
2020 Black Narcissus
2024 3 Body Problem
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.