A work in constant progress (and occasional regress).
Release Date:
May 22, 2016
Original Title:
Abduct
Genres:
Mystery | Science Fiction | Thriller
Production Companies:
Abduct Films
Sunset Undiscovered
Production Countries:
United Kingdom
Ratings / Certifications:
DK: 15 GB: 15
Runtime: 111
A Texan paranormal radio host, Ridley Kay leads a fairly ordinary existence, until a strange orphan with a tragic past comes crashing into his life. Convinced other-worldly forces are after her, Kay attempts to protect the young girl from an onslaught of deadly alien and extra-terrestrial phenomena. However, as the strange lights continue to stalk her, he discovers the world of the paranormal might be far more sinister than anyone has possibly imagined.
Art Direction:
Carmen Cortes Martin
Assistant Art Director:
Laura Castellano Astruc
Assistant Costume Designer:
Talulah Mason
Assistant Makeup Artist:
Lilly Hale
Kristina Myslyvtseva
Camera Operator:
Rory Skeoch
Casting:
Phil Martin
Costume Design:
Annelise Buesnel
Digital Imaging Technician:
Alan Andrade
Director:
Ilyas Kaduji
Director of Photography:
Charles Heales
Editor:
Eddie Graham
Ilyas Kaduji
Electrician:
Chiara Giavarini
Billie Swainson
First Assistant Camera:
Jason Henwood
First Assistant Director:
Lina Remeikaite
Foley:
Gabriella Finney
Gaffer:
Rory Skeoch
Key Makeup Artist:
Danielle Everitt
Makeup Designer:
Anna Thompson
Music:
Ed Watkins
Producer:
Gordon Pollock
Ilyas Kaduji
Mafalda Sá
Production Design:
Gina Bernado Muntane
Screenplay:
Philip Daay
Ilyas Kaduji
Script Supervisor:
Natassja Fairbanks
Second Assistant Camera:
Alasdair Baines
Sound Editor:
Barni Sparkes
Sound Recordist:
Robert Copland
Karl Lauefer
Special Effects:
Scott Fox Dear
Standby Art Director:
Chapman C.H. Kan
Still Photographer:
Mathew Hodgkin
Storyboard Artist:
Neil Maguire
Visual Effects:
Fabrice Di Cicco
Visual Effects Supervisor:
Ilyas Kaduji
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.