A work in constant progress (and occasional regress).
Birthplace:
Düsseldorf, North Rhine-Westphalia, Germany
Born:
January 1, 1965
Alwin H. Küchler (born 1965) is a German cinematographer. Born 1965 in Düsseldorf, Alwin H. Küchler started his career as assistant to a fashion photographer. When he supported his friend Jakob Claussen, who later became a film producer, during the production of a study film, Küchler became interested in cinematography. From 1990 to 1994 Küchler studied cinematography at the National Film and Television School. During his study he met Lynne Ramsay and realized a few short films with her. In 1999 he made his feature film debut with Ramseys Ratcatcher. Küchler was nominated for a European Film Award for Best Cinematographer for his works on Morvern Callar in 2002 and Code 46 in 2004. In 2015, Küchler worked with Danny Boyle on the film Steve Jobs.
Cinematography:
1999 One Day in September
Director of Photography:
1993 Monday's Girls
1994 Fathers, Sons and Unholy Ghosts
1995 The Desired Number
1995 Welcome II the Terrordome
1996 Kill the Day
1996 Small Deaths
1996 White Men Are Cracking Up
1998 Gasman
1999 One Day in September
1999 Ratcatcher
2000 The Claim
2001 Lucky Break
2002 Morvern Callar
2002 Vacuum
2003 Code 46
2003 Heartlands
2003 The Deal
2003 The Mother
2005 Proof
2007 Sunshine
2009 Largo al factotum
2009 Solitary Man
2010 Morning Glory
2011 Hanna
2012 Marley
2013 R.I.P.D.
2014 Divergent
2015 Steve Jobs
2016 One More Time with Feeling
2021 The Mauritanian
2023 Tetris
2023 The Marsh King's Daughter
Director of Photography:
2024 The Regime
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.