Alwin H. Küchler (b. 1965)

Birthplace:
Düsseldorf, North Rhine-Westphalia, Germany

Born:
January 1, 1965

Alwin H. Küchler (born 1965) is a German cinematographer. Born 1965 in Düsseldorf, Alwin H. Küchler started his career as assistant to a fashion photographer.  When he supported his friend Jakob Claussen, who later became a film producer, during the production of a study film, Küchler became interested in cinematography.  From 1990 to 1994 Küchler studied cinematography at the National Film and Television School. During his study he met Lynne Ramsay and realized a few short films with her. In 1999 he made his feature film debut with Ramseys Ratcatcher.  Küchler was nominated for a European Film Award for Best Cinematographer for his works on Morvern Callar in 2002 and Code 46 in 2004.  In 2015, Küchler worked with Danny Boyle on the film Steve Jobs.

Additional information:

The Search Form


Cinematography:
1999  One Day in September

Director of Photography:
1993  Monday's Girls
1994  Fathers, Sons and Unholy Ghosts
1995  The Desired Number
1995  Welcome II the Terrordome
1996  Kill the Day
1996  Small Deaths
1996  White Men Are Cracking Up
1998  Gasman
1999  One Day in September
1999  Ratcatcher
2000  The Claim
2001  Lucky Break
2002  Morvern Callar
2002  Vacuum
2003  Code 46
2003  Heartlands
2003  The Deal
2003  The Mother
2005  Proof
2007  Sunshine
2009  Largo al factotum
2009  Solitary Man
2010  Morning Glory
2011  Hanna
2012  Marley
2013  R.I.P.D.
2014  Divergent
2015  Steve Jobs
2016  One More Time with Feeling
2021  The Mauritanian
2023  Tetris
2023  The Marsh King's Daughter

Director of Photography:
2024  The Regime

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.