A work in constant progress (and occasional regress).
Release Date:
November 1, 2002
Original Title:
Morvern Callar
Genres:
Drama
Production Companies:
Alliance Atlantis
BBC Film
BBC Scotland
Company Pictures
Film Council
H2O Motion Pictures
National Lottery
Scottish Screen
The Glasgow Film Fund
Production Countries:
Canada | United Kingdom
Ratings / Certifications:
GB: 15 IE: 15 US: R
Runtime: 97
After her boyfriend commits suicide, a young woman attempts to use the unpublished manuscript of a novel and a sum of money he left behind to reinvent her life.
ADR Editor:
James Andrews
ADR Mixer:
Gerard Roche
Art Direction:
Philip Barber
James David Goldmark
Assistant Director:
Mark Fenn
Michael Elliott
Casting Director:
Des Hamilton
Costume Design:
Sarah Blenkinsop
Dialogue Editor:
Steve Schwalbe
Digital Compositor:
Gruff Owen
Director:
Lynne Ramsay
Director of Photography:
Alwin H. Küchler
Editor:
Lucia Zucchetti
Executive Producer:
Barbara McKissack
Leonard Crooks
Seaton McLean
András Hámori
David M. Thompson
Foley Artist:
Jason Swanscott
Melissa Lake
Foley Editor:
Barnaby Smyth
Line Producer:
Ronaldo Vasconcellos
Makeup & Hair:
Tania Wanstall
Makeup Designer:
Trefor Proud
Music Supervisor:
Maggie Bazin
Andrew Cannon
Novel:
Alan Warner
Producer:
Charles Pattinson
George Faber
Robyn Slovo
Production Design:
Jane Morton
Screenplay:
Lynne Ramsay
Liana Dognini
Script Supervisor:
Mary Haddow
Second Assistant Director:
Karoline Blohm
Ana Gallardo
Nic Shearer
Sound Designer:
Paul Davies
Sound Mixer:
Richard Flynn
Sound Re-Recording Mixer:
Tim Alban
Steadicam Operator:
Simon Bray
Still Photographer:
Gautier Deblonde
Stunt Coordinator:
Glenn Marks
Third Assistant Director:
Rufus Rawley
Anthony Wilcox
Visual Effects Supervisor:
Simon Frame
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.