A work in constant progress (and occasional regress).
Alias:
Joyce Elaine Romeo
Birthplace:
Kenosha, Wisconsin, USA
Born:
November 17, 1927
Died:
August 1, 1995
Joyce Elaine Romeo, the raven-haired daughter of Orlando and Emma Romeo of 5606 34th Avenue in Kenosha, Wisconsin, studied at the nearby McKinley Junior High School and the downtown Mary D. Bradford High School while simultaneously nurturing her dreams of performing before appreciative audiences. She made her first such appearances in Chicago clubs before coming to Los Angeles for George White's Scandals and Billy Gray's Band Box (Dorothy Kilgallen noted her in July, 1946 as a dancer at LaConga) and local television. One such telecast caught the eye of producer Ron Ormond who signed her for "Outlaw Women" (1952) without a screen test. Previously she had appeared with Mickey Rooney as "the other woman" in The Strip. Also in 1952 Jacki (as she was labeled on Crystalette Records songs) worked with Jack Carson at the Sahati's Country Club Casino in Stateline, Nevada. Bing Crosby noticed her at a Pebble Beach golf tournament and cast her in The Country Girl. Later she did live appearances with comic Lenny Kent at the Casino Lounge in the Mapes Hotel and in 1962 with Buddy Lester at New Facks and at the Losers Club in Hollywood. and by 1965 at the Jamaica Room of the West Valley Bowl and at Sunset Boulevard's Key Club. Three years later she worked as a regular in a troupe with singer-comic Duke Mitchell, and by the 1970s she was seen at Aladdin's Funny Farm, the new Nine Thousand and the Fire and Flame in North Hollywood, with billing calling her "The Performer's Performer".
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.