A work in constant progress (and occasional regress).
Release Date:
December 11, 1967
Original Title:
Guess Who's Coming to Dinner
Alternate Titles:
Adivina quién viene esta noche
Adivinhe Quem Vem Para Jantar
Indovina chi viene a cena?
猜猜谁来吃晚餐
초대받지 않은 손님
Genres:
Drama | Romance
Production Companies:
Columbia Pictures
Stanley Kramer Productions
Production Countries:
United States of America
Ratings / Certifications:
DE: 6 DK: 15 ES: APTA FI: K-12 FR: U GB: U|PG NL: AL PL: 18 SE: 7 US: NR
Runtime: 108
A couple's attitudes are challenged when their daughter brings home a fiancé who is black.
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Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.
1998 #99 |
100 Years: 100 MOVIES
100 Greatest American Movies Of All Time |
2002 #58 |
100 Years: 100 PASSIONS
100 Greatest Love Stories Of All Time |
2006 #35 |
100 Years: 100 CHEERS
100 Most Inspiring Films Of All Time |
Assistant Director:
Ray Gosnell Jr.
Leonard Kunody
Associate Producer:
George Glass
Camera Operator:
William Gossman
Costume Design:
Joe King
Director:
Stanley Kramer
Director of Photography:
Sam Leavitt
Editor:
Robert C. Jones
Electrician:
Les Everson
Grip:
Marty Kashuk
Hairstylist:
Helen Hunt
Makeup Artist:
Joe DiBella
Ben Lane
Music:
Carol Kaye
Orchestrator:
Albert Woodbury
Original Music Composer:
Frank De Vol
Producer:
Stanley Kramer
Production Design:
Robert Clatworthy
Production Supervisor:
Ivan Volkman
Property Master:
Clarence Peet
Script Supervisor:
Marshall Schlom
Set Decoration:
Frank Tuttle
Sound:
Robert Martin
Charles J. Rice
Sound Re-Recording Mixer:
Clem Portman
Special Effects:
Geza Gaspar
Title Designer:
Wayne Fitzgerald
Visual Effects:
Lawrence W. Butler
Wardrobe Supervisor:
Jean Louis
Writer:
William Rose
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.