A work in constant progress (and occasional regress).
Birthplace:
Rio de Janeiro, Rio de Janeiro, Brazil
Born:
April 30, 1986
Lílis Soares is a Brazilian cinematographer, winner of the World Cinema Dramatic Special Jury Award for Cinematography at SUNDANCE FILM FESTIVAL 2023, Best Cinematography at Dublin Film Festival 2023, at African Movie Academy Awards 2023, FESPACO 2023 and Fantaspoa 2024. She studied at the Institut International de l'Image et du Son in France, and Radio & TV at UFRJ in Brazil. She has worked in Digital media, TV and Cinema across Brazil, France, Russia, Switzerland, Angola, Benin and Republic of Congo. She was the Director of Photography on the Nigerian black and white feature film “Mami Wata”, directed by C.J. Obasi, the Brazilians feature fictions “A melhor mãe do mundo”, directed by Anna Muylaert, “Narciso” directed by Jeferson De, “Salve Rosa”, directed by Susanna Lira, “Medley”, directed by Ana Luisa Azevedo, “Um dia com Jerusa” and “Ó, paí, ó 2” directed by Viviane Ferreira, “Nosso lar 2”, directed by Wagner de Assis, and on the feature documentary “Diálogos com Ruth de Souza” directed by Juliana Vicente. She was the main cinematographer on TV series “Amar é para os fortes” (Amazon) and “Passinho” (Disney). She also worked as camera operator on the feature film “Outono - um ano inesquecível” (Amazon), TV series “Sessão de Terapia” (Globoplay) and “Não foi minha culpa” (Disney). Lilis is also the winner of the 2020 Helena Ignez prize for her work in three movies including Mostra de Tiradentes.
Camera Operator:
2023 An Unforgettable Year – Autumn
Director of Photography:
2020 A Day with Jerusa
2020 Novo Mundo
2022 Conversations with Ruth de Souza
2023 An Unforgettable Year – Autumn
2023 Mami Wata
2023 Ó Paí, Ó 2
2024 Astral City 2: The Messengers
2025 The Best Mother in the World
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.