A work in constant progress (and occasional regress).
Release Date:
January 25, 2024
Original Title:
Nosso Lar 2: Os Mensageiros
Alternate Titles:
Nia Hejmo 2: La Mesaĝistoj
Notre Demeure 2: Les messagers
Nuestro Hogar 2: Los Mensajes
Náš domov 2: Poslovia
Our Home 2: The Messages
Наш дом 2: Посланники
Наш очаг 2: Посланники
Genres:
Drama
Production Companies:
Agência Nacional do Cinema - ANCINE
Cinética Filmes e Produções
Star Original Productions
Production Countries:
Brazil
Ratings / Certifications:
BR: 14
Runtime: 111
A group of messenger spirits led by Aniceto, including doctor André Luiz, are tasked with going to Earth to help rescue three proteges whose interconnected stories are about to fail.
Art Direction:
Ula Schliemann
Assistant Art Director:
Fabi Zanol
Associate Producer:
Elizabeth Marinho
Luis Erlanger
Luiz Augusto de Queiroz
Book:
Chico Xavier
Casting Producer:
Isabel Lobo
Colorist:
Bernardo Brik
Coordinating Producer:
Adriano Lírio
Costumer:
Reka Koves
Director:
Wagner de Assis
Director of Photography:
Lílis Soares
Editor:
Lívia Pimentel
Zeca Esperança
Executive Producer:
Richard Ávila
Camila Medina
Makeup Artist:
Juliana Mendes
Original Music Composer:
Guto Graça Melo
Post Production Supervisor:
José Arruda Junior
Producer:
Wagner de Assis
Iafa Britz
Bruno Bluwol
Patricia Lopes
Production Director:
Lia Rezende
Second Assistant Director:
Afonso Presto
Sound:
Evandro Lima
Sound Designer:
P.C. Azevedo
Sound Supervisor:
P.C. Azevedo
Story Developer:
Vivian Perl
Harold Apter
Iafa Britz
Stunt Coordinator:
Javier Lambert
Third Assistant Director:
Catherine Beranger
Visual Effects Supervisor:
Thiago Anjos
Diogo Anjos
Writer:
Wagner de Assis
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.