A work in constant progress (and occasional regress).
Birthplace:
Áscoli Piceno, Italy
Born:
December 24, 1924
Died:
May 15, 1986
Iginio Lardani was a graphic and film titles designer best known for his iconic title design work in the Spaghetti Western genre. Born in Áscoli Piceno, Italy, on December 24, 1924, Lardani was a European contemporary of title design titans Saul Bass and Maurice Binder. He was an autodidact with a great interest in painting. He moved to Rome at the age of 25 and entered the world of film through poster design. After creating the Italian posters for films like High Noon, he designed the title sequences to Sergio Leone’s Dollars Trilogy — A Fistful of Dollars (1964), For a Few Dollars More (1965), and The Good, The Bad and The Ugly (1966). Often allowed an entirely free hand when designing titles and trailers, he worked from his study in Via Reno, Rome. He also designed the opening titles for Face to Face (1967), The Mercenary (1969), and Tepepa (1969). Outside of the Spaghetti Western genre, Lardani designed the openings for Casanova ’70 (1965), Il compagno Don Camillo (1965), Queimada (1969), and A Special Day (1977). Often affectionately referred to as “Gigi” and sometimes mistakenly called “Eugenio”, he also designed and edited film trailers, most notably those of Mogliamante (1977) by Marco Vicario and Una Gionata Particolare (1977) by Ettore Scola, which were awarded first and second place at Cannes in 1978.
Animation:
1964 A Fistful of Dollars
Title Designer:
1964 A Fistful of Dollars
1965 For a Few Dollars More
1966 The Good, the Bad and the Ugly
1967 Face to Face
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.