A work in constant progress (and occasional regress).
Release Date:
November 23, 1967
Original Title:
Faccia a faccia
Alternate Titles:
Cara a cara
Face to Face
Halleluja, der Teufel läßt Euch grüßen
Laatste Afrekening
Le dernier face à face
Quando os Brutos se Defrontam
Zwei für ein Halleluja
Zwei links, zwei rechts und Halleluja
Лицом к лицу
梁山龍虎榜
Genres:
Western
Production Companies:
Arturo González PC
PEA
Production Countries:
Italy | Spain
Ratings / Certifications:
DE: 18 FR: 12 US: R
Runtime: 112
History Professor Brad Fletcher heads west for his health, but falls in with Soloman Bennett's outlaw gang. Fascinated by their way of life, Fletcher finally takes over the gang, leading with a new 'efficient' ruthlessness.
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Assistant Costume Designer:
Rosanna Andreoni
Assistant Makeup Artist:
Rossano Caporicci
Assistant Production Design:
Rafael Ferri
Antonio Palombi
Camera Operator:
Gastone Di Giovanni
Conductor:
Bruno Nicolai
Costume Design:
Carlo Simi
Director:
Sergio Sollima
Director of Photography:
Rafael Pacheco
Editor:
Eugenio Alabiso
First Assistant Camera:
Ruggero Radicchi
First Assistant Director:
Maurizio Mein
Mariano Canales
Hairstylist:
Giusy Bovino
Line Producer:
Aldo Pomilia
Makeup Artist:
Rino Carboni
Original Music Composer:
Ennio Morricone
Producer:
Alberto Grimaldi
Arturo González
Production Design:
Carlo Simi
Production Manager:
Thomas Sagone
Production Secretary:
Romano Raschi
Mario Campolunghi
Lamberto Andreani
Screenplay:
Sergio Sollima
Sergio Donati
Script Supervisor:
Luigina Lovari
Sound:
Elio Pacella
Sound Mixer:
Renato Cadueri
Special Effects:
Eros Bacciucchi
Story:
Sergio Sollima
Title Designer:
Igino Lardani
Unit Manager:
Pietro Nofri
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.